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The Signs Of A Compatible Friendship, According To Astrology

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If you're a dedicated horoscope reader, you've probably dabbled in astrological compatibility, too — from a romantic standpoint, that is. However, consulting someone else's birth chart shouldn't just be reserved for when you're dating them. It can be equally useful to look up your BFF's chart.

Not only do all sorts of astrological aspects and placements indicate a harmonious romantic relationship, there are plenty that can reflect a lifelong friendship in the making, too. You just need to know where to look in your and your friend's respective birth charts.

Ahead, we'll show you four features in your birth charts to check out in order to better understand your friendship from an astrological POV. Of course, if you and your BFF don't have any of these traits in common, that doesn't mean you should break up on the spot. Astrology is an imperfect science — and it's totally fine if your dearest friendship defies the "rules" (and we use that term very loosely) of the stars.

Check your sun signs.

There's a wide variety of sun sign pairings that lay the foundation for great friendships, but, when they're two or four signs apart on the Wheel of the Zodiac, you could have an astrologically compatible relationship on your hands. In the case of the former, you two probably "get along" well, meaning you can spend hours together doing nothing in particular and still have a ball — this aspect suggests cooperation and a "go-with-the-flow" dynamic, the AstroTwins write. In the latter's case, the Twins write that the sense of ease and understanding that comes with this aspect is hard to beat. You and your pal probably have a lot in common and support each other, but are different enough to offer each other a slightly different point of view through which to see the world. That said, sharing a sun sign with your friend can be just as advantageous: You know each other's strengths, weaknesses, likes, and dislikes, because they're the same as your own.

illustrated by Anna Sudit.

Check your sun signs' ruling elements.

Yet another trick employed in romantic compatibility readings, looking at the element that rules yours and your friend's sun sign can tell you more about how your personalities meld. If your respective ruling elements are side-by-side on the Wheel of the Zodiac (say, a fire-ruled Leo with a water-ruled Cancer or an earth-ruled Virgo), you likely have a very complementary relationship, in which you may come across as very different but clearly understand each other very well. Picture someone with a fire sign and someone with a water sign hanging out: The fire-ruled person is likely more outgoing, but they see some of themselves in the water-ruled person's emotional side.

illustrated by Anna Sudit.

Check your moon signs.

The moon plays a major role in determining a romantic couple's emotional dynamic, but this celestial body remains a major player in friendships as well. Astrologer Annie Heese writes that, when two people's moon signs are sextile, or separated by two Zodiac signs, they stand a good chance at forming a "harmonious" bond. If you find that you and your friend have sextile moon signs (maybe your moon is in Aries while theirs is in Leo), you may have an easy time expressing your feelings around each other or anticipating the other's feelings just by looking at each other. Even if your friend makes a decision that you wouldn't necessarily make, you see their side and have their back.

illustrated by Anna Sudit.

Check your Mercury signs.

Your Mercury sign determines your communication style, approach to problem-solving, and listening skills. In the same way that it serves your friendship for your respective sun signs to be two or four signs apart, these aspects also mean good things when they appear between your Mercury signs. Heese writes that Mercury signs separated by two signs imply that the lines of communication between you and your friend are wide open — and we mean FaceTiming in the bathroom levels of open. Meanwhile, she writes, having four signs between your Mercury sign and your partner's suggests that your interactions are almost always mutually beneficial — you learn from each other, add to each other's ideas, and help create positive solutions together.

illustrated by Anna Sudit.

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Money Diary: A 26-Year-Old Business Analyst In Bristol On 35k

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Welcome to Money Diaries, where we're tackling what might be the last taboo facing modern working women: money. We're asking a cross-section of women how they spend their hard-earned money during a seven-day period – and we're tracking every last penny.

This week we're with a woman who's just moved into a very nice flat on her own and is exploring the line between having all the fun and trying to be "grown-up".

"I moved into a flat by myself a month ago, having lived back at home for around six months after breaking up with my ex, with whom I’d lived for a few years. The money that I saved living at home I pretty much spent on holidays and moving out. I found my flat through Gumtree so no agency fees, but my GOD, having to front the first month’s rent and deposit by myself rinsed my savings, not to mention the cost of furniture.

I recently negotiated a good promotion which stands me in good stead financially, but I’m getting used to paying for everything by myself and finding a good balance between you-deserve-this-you-hardworking-bitch and oh-God-I-need-to-dip-into-my-savings-again. I have a small overdraft and I have a credit card that I use to make big purchases (currently have £50 left to pay)."

Occupation: Business Analyst
Age: 26
Location: Bristol
Salary: £35,000
Paycheque amount: £2,038 this month as I had a pay rise from £30,000 halfway through. Theoretically should rise to £2,140 next month.
Number of housemates: 0

Monthly Expenses

Rent: £945
Loan payments: Student loan repayments taken out before tax
Pension: £0. Last month I took the difficult decision to opt out of my pension for six months. I want to build up my cash ISA so that I have cash available if I need it. My pension is one of the best out there, though, so I’ll be opting back in.
Savings: I put £200-£250 a month into my cash ISA. I have a few thousand in a stocks and shares ISA that tends to just stay put. However, I’m looking into other ways to save as it’s lost value over the past year. I ended up dipping into my savings last month so I’m trying not to do that this month.
Utilities: £215 (£13 TV licence, £30 water, £115 council tax, £30 gas and electricity, £27 broadband).
Phone bill: £30 for sim and phone.
Transportation: Ad hoc – I generally cycle to work or I get offered lifts from kind colleagues and only buy bus tickets when I have to.
Other: £57.79 (£13 contact lenses, £10.99 Netflix, £4 Amazon Prime, £24 gym, £5 Spotify, £0.79 iCloud).
Charity: £15 (£5 Médecins Sans Frontières, £10 Amnesty International).

Day One

6.30am: I wake up. Spend a few moments marvelling at how beautiful the day is, how the light fills my gorgeous bedroom so wonderfully, then check the weather and see it’s six degrees outside. Spend 20 minutes checking the news/scrolling Instagram, willing myself to brave the cold.

7.30am: Finally leave and embrace the sunshine. I walk half an hour to catch a bus to work. En route, I pick up a filter coffee from Pret (sadly both of my flasks are at work so I couldn’t make one to walk with, £0.99) and a pot of yoghurt, a bag of apples, a soup and some decaf coffee from Tesco (£7.50). My work provides tea and coffee but given that I’m feeling anxious, decaf is probably a wise idea. I have a load of pre-paid tickets on my phone, so this bus journey is paid for by past me.

11am: Breakfast at my desk – yoghurt and honey with a decaf coffee.

1.30pm: Soup, a slice of toast and an apple for lunch. We’re all out of butter so I give my card to a willing colleague and she picks some up for the office, £2.50. I had planned to buy a dining table set this month and found a beautiful table in John Lewis for £500. I consider cashing out some of my Stocks and Shares ISA to pay for it (I AM hosting Christmas after all) but decide this is ludicrous and question why I’m like this… Yes, fine, I bookmarked it. Don’t look at me like that.

3.30pm: Lol I actually do cash out some of my Stocks and Shares ISA to build up my liquid savings. In fairness, the fund I invest in has stagnated and I know the cash will be more useful to me as back-up for quarterly utility bills. I’ve been anxious about the fact that I haven’t had a council tax bill for my new place yet, nor have I received a gas and electricity bill, so the security of having more in my cash ISA should I need it settles my mind. It’s definitely NOT for a beautiful mango wood table. Definitely not. I think.

5.30pm: I leave work, wait half an hour for a bus during which time two go past out-of-service. I finally get into town and walk to my mum’s to pick my bike up and walk home with her. This takes two hours and not for the first time, Mum and I discuss whether we should go halves on a car. I’m learning to drive at the moment and I’m in two minds – Bristol traffic is terrible and it’s easier to get around during rush hour on two wheels, not to mention the cost of running and maintaining a car. However, if I had access to one I would be able to do proper weekly shops and practise my driving. Decisions, decisions.

8.30pm: We finally sit down to some homemade soup, having cleaned my flat after the excesses of the weekend.

Total: £10.99

Day Two

6.30am: I wake up leisurely and have a cup of tea in bed, then pack some soup and a change of clothes and cycle to work for the first time in about a month.

8am: Arrive at work after a sunny six-mile cycle across central Bristol. So happy to have my bike back, I always feel so much calmer for the exercise (at the expense of my general appearance though; it takes someone extraordinarily attractive to look good with helmet hair). My commute is only 30 or 40 minutes cycling too, whereas it takes anywhere between an hour and a quarter to two hours on foot/by bus.

11am: Breakfast is yoghurt and honey and a decaf coffee.

11.30am: Someone has brought in some salted caramel teacakes. Yes. Please. I also order a couple of things on Amazon now that I’ve been paid – rechargeable bike lights (winter is coming) and a new set of headphones. £19.98

1.30pm: Homemade soup for lunch with a slice of toast and an apple. We’ve had a breakthrough on the table front. I’ve found it £50 cheaper somewhere else, plus I have a 10% off voucher. My veins thrill with adrenaline as I fill out the Never Knowingly Undersold claim form to try and get John Lewis to give me a good deal. Who needs drugs when you have competitive pricing policies?

4.30pm: Feeling increasingly overwhelmed at work and wishing I didn’t have an event to go to tomorrow morning so that I could get on with my actual work… Decide to leave and try to unwind via cycling and curry-making.

6pm: Back home via Aldi to pick up aubergines, coriander, tomatoes, onions, peppers, coconut milk, chopped tomatoes, broccoli and ginger. I actually couldn’t fit it all into my bag along with my change of clothes etc so I had to put the broccoli back after paying for it (RIP – gone but not forgotten). £7.55

8pm: After making a delicious aubergine curry (recipe courtesy of Hemsley and Hemsley), I get into the bath to unwind with a book and a beer. Following a long soak, I tune in to watch my best friends’ band, Idles, on Later With Jools Holland. They KILLED it.

Total: £27.53

Day Three

7.30am: Slight lie-in with a cup of tea and I take advantage of the longer morning by doing some housework and exercises from my chiropractor while catching up on Bake Off. I don’t think I’ll be able to afford to see her for a while (same goes for my hairdresser) so I need to keep on top of it to ward off crippling back pain. At £40 a session she’s expensive, but she’s the first person in 10 years to properly explain and treat my back pain.

9.30am: I cycle into town for the conference and steel myself for the inevitable networking. I’m often the youngest in the room and while I know I have a lot to contribute, I always feel uncomfortable piping up around so many more experienced colleagues. With that in mind, I’ve been pushing myself to do it more often. Life begins outside of your comfort zone etc, etc.

10am: Oh God. Oh God. Outside the venue, someone says hi and asks how I am. Complete mind blank – I know I’ve met them before but I can’t place them. Assume I’ve met them at one of these events and make conversation, making reference to the speaker. She looks blank and then laughs. Shit. It’s actually my new neighbour, who has no interest in interoperability and cross-system working. I haven’t seen this neighbour since I had a pretty noisy and rather late (or do we call 7am early?) party a couple of weeks ago. Willing the floor to swallow me up.

Noon: I have to leave early to race to the office for another meeting and go via Sainsbury's to pick up rice for my lunch, as well as some treats for my team, £2.45. I’m getting the bus because my office is at the top of a hill and there’s nothing worse than arriving at an important meeting with a glow of perspiration. I buy another pack of bus tickets on the app; £5 for five short student journeys. Now, given that I don’t have a student card anymore and the journey qualifies as a long trip, this is pretty rogue. However, nobody ever questions it and frankly the service is terrible so it feels good to stick it to the man.

3.30pm: My meeting ran over and I don’t manage to have lunch until now – I brought in the curry that I made last night and there should be enough for lunch for the rest of the week. This is the first thing I’ve eaten today. Ffs.

5.30pm: I leave work with a friend and we go for a couple of drinks and get some Vietnamese food before we see a film later. £21

7pm: Aargh I kept playing with a new piercing and the bar came out. I run into Accessorize before the film to get an earring to put in. Ten percent off earrings today so it costs me £7.20. We end up in the bathroom of the cinema re-piercing my ear and feeling 14 years old. We got a code for the cinema so it’s half price at £2.50 each; picked up some snacks on the way for £2.40.

11pm: The film was silly and hilarious, like a cross between Gone Girl and Gossip Girl, and it feels great to have a proper girlie evening. She drops me home and I go to bed after opening a letter from the council finally giving me a council tax statement.

Total: £40.55

Day Four

7am: Wake up, shower and listen to a podcast while I do chiropractor exercises. I’ve left my bike in town so I make a coffee in my flask and take another gloriously sunny walk into town to pick it up and cycle to work. I’m always slightly surprised when it’s not been thieved after being left overnight, but it’s still standing and lives to cycle another day.

11am: Breakfast is yoghurt and coffee while doing a little bit of life admin between meetings. I apply for a single person council tax discount and sort out online payments for gas and electricity. Feeling very productive and like a fully responsible adult. New me, who dis?

2pm: I stop for lunch and have more curry and rice, followed by an apple. Update on table of dreams: John Lewis has matched the price of the other retailer (plus their delivery is free), but it’s now sold out. I feel like this could be divine intervention. I also spend a bit of time researching the Bath Skyline Walk for something to do in a couple of Sundays' time. My friends and I are beginning to spend more weekends doing wholesome things rather than illegal substances. Don’t grow up – it’s a trap.

6pm: My colleague offers me a lift home and after a long, long day of working my way through a titanic to-do list of governance documents, bid writing and data analysis, I gladly take it. I am so tired that I take a couple of slices of bread from the office sharea (share-area) so that I can make the ultimate comfort food at home: beans on toast.

8pm: Post-baked beans, I try and get on with more productive life admin while I listen to The High Low podcast; sorting through letters and documents and filing them properly AND putting my gas and electricity readings into my account so that I get an up-to-date estimate of bills. I notice they have my move-in date as three weeks before I actually moved in so there’s more to chase up and figure out.

10pm: Watch an old episode of Gossip Girl with a cup of tea while I do my nails. It hasn’t aged well. Chuck is not the suave, sexy debaucher I remember. He’s super problematic. Ugh.

Total: £0

Day Five

12.30am: Wake up to my phone ringing. It’s a friend (/old ex) FaceTiming me. Feeling like this could be amusing, I answer. Spend five minutes talking nonsense, laughing and screenshotting him. I’ll see him tomorrow night (tonight?) at a book launch and I’m looking forward to ripping the piss out of him.

7am: Wake up with the intention of walking to the local bakery and picking up pastries for the team but today is going to be expensive and someone brought in croissants yesterday. Instead, I make a cappuccino and listen to more of The High Low as I get ready.

8am: Run out the door to meet my friend who has offered me a lift and bump into my neighbour again. Actually manage to come across as a functioning, cognisant person. I’ll take that as a win.

10am: Breakfast – yoghurt and coffee. My day is pretty much scheduled by the half-hour to get everything done, plus I’ve just come on my period early. You can guess I’m not drinking decaf today…

1pm: Nip out of the office to pick up some developed photos from Boots. I have some beautiful photos of my friends and some not so beautiful ones where the lighting is dire. I decide I definitely do want to graduate from disposables to a proper film camera in the next few months but as with all my larger purchases I’ll have to decide how/when I want to pay for it. On the list is also a new pair of trainers, a faux-fur chair (ugh it’s so amazing) and, of course, the table. In addition to the photos, I also buy some painkillers, moisturiser, soap, popcorn and chocolate (Friday = snacks). This comes to the princely sum of £16.12.

1.30pm: Lunch is the last of the curry and rice and some popcorn. I share my Kinder Bueno with my work friends because I’m nice like that.

5.30pm: I get home and drink a gin and tonic while I get ready to go to the launch of my best friend’s book, Mother of Millennials.

6.30pm: I walk halfway to the book launch and bump into my ex who is also on his way (not the ex from earlier who is also going – keep up) so we walk together. It’s an incredible evening discussing the generation gap, mental health, technology, careers and everything in between. The wine is free but the Mini Cheddars and the six books I buy aren’t. My mum will pay me back some of this money because I bought two copies on her behalf. £71.84 – £20 = £51.84.

10.30pm: I resist going out for more drinks with friends and get an Uber home. £12.96

Total: £80.92

Day Six

8am: Wake up unreasonably early for a weekend and spend a couple of hours reading the news, scrolling Instagram and listening to the Guys We Fucked podcast.

11am: Breakfast: beans on toast with a fried egg and a cappuccino. I have Made In Chelsea on in the background. I don’t actually know who anyone is anymore but it’s an easy watch for my gently aching head.

1pm: More productivity; I’ve been meaning to get around to getting contents insurance. My phone broke recently and I only just managed to persuade the guy at Apple to replace it under the warranty, plus I bought a Saint Laurent purse to celebrate a pay rise I had in April and I’m still wary of losing it somewhere. Monthly direct debit set up for £8.06. It would have been £9 cheaper overall to pay it all in one go but I’ve already spent so much this week and I am illogical with money.

6pm: Have spent the entire afternoon tidying, listening to podcasts and generally enjoying doing nothing. I make a quick dinner of tagliatelle and walk 40 or so minutes to my friend’s house to hang out and catch up. I pick up cookies en route for everyone and also some tampons for a friend. £4.40

Midnight: Go home after an evening of dirty jokes, forensic examination of texts (for a friend), re-downloading Bumble after a hiatus (for me) and lots of snacking (for everyone).

Total: £12.46

Day Seven

9.30am: Wake up, make myself a tea and get ready to go to a wedding fayre with my friends who are getting married next December. I’m a bridesmaid and I am absolutely thrilled to be part of their plans. The fayre is at their venue outside Bristol so I spend the morning having food tasters and discussing details. I introduced them on Valentine’s Day a few years ago, so I feel like a veritable Cupid.

2pm: On the way home we decide to go for a roast at a pub I used to work at a few years ago. The food is still as good as I remember, in fact it’s even better given that I’m not eating it after a hungover nine-hour shift of serving it to other people. Two glasses of wine and a roast dinner later, I opt to walk home in the sun. £25

5pm: Stop at Sainsbury's to pick up fresh flowers, chopped tomatoes, chicken breasts, chipotle paste, quinoa, pulses, a bottle of wine and a bar of Lindt. My friend from last night is having boy trouble so I instruct her to come over immediately for refuge, casserole, wine and chocolate. £22.45

6pm: We dissect the boy’s messages all evening and discuss how dating apps have changed the way in which we fundamentally interact with people and build relationships. I was with my ex for seven years so the single market I rejoined is completely different from the one I’d left. Sex is just so much more available and the person you’re on a date with is one of a dozen faces you have at your fingertips. This has been perfect while I’ve been casually dating but as I’m thinking more about dating seriously again, it’s a bit daunting. Wish me luck, reader. And fingers crossed I get that fucking table.

Total: £47.45

The Breakdown

Food/Drink: £96.24
Entertainment: £54.34
Clothes/Beauty: £23.32
Travel: £17.96
Other: £28.04

Total: £219.90

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In Defence Of Being Unproductive

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The only motivational meme I've ever felt compelled to share on social media is the one that isn't really a motivational meme at all. It’s the opposite. "Your worth is not measured by your productivity," reads the illustration by France Corbel, inside a knowing sketch of a coffee pot. The first time I saw it, I felt like someone had reached out of my phone and stroked my hair reassuringly. Somebody had finally said it.

I spend a lot of time beating myself up for not working hard enough. Then I feel guilty for the time I’ve wasted beating myself up when I could have been working. It often feels like a malfunction, the way I can’t seem to unlock the secret reserves of energy that allow other people to juggle multiple jobs and slot extra projects in around their nine-to-five. I worry I’m deficient when I can't find the will to stay at my laptop past 8pm, or get up at dawn to work an hour before breakfast. I’m embarrassed by the books I have not read, the films I have not seen, the 3,000 word articles I’ve had to have juiced down by Twitter because I couldn’t be arsed to keep scrolling. "I’m really very lazy," I say to people, just in case they’re already thinking it.

But really, I’m fine. I earn a decent living, I maintain a career. On the spectrum of human employment I’m at the seriously fortunate end, so why does my inner critic sound so much like that Manic Street Preachers song: "not enough, not enough, not enough"? If hyperproductivity is a modern cult, then I’ve been drinking the over-caffeinated Kool-Aid.

In this, the age of #MondayMotivation and working vacations, where even our side hustles are supposed to have side hustles, it’s so easy to believe that the more we do, the more we are. "Live life to the full!" we’re urged, so we fill up our diaries accordingly. Likewise any creative outlet needs to be milked for #content and monetised for gain. "You should start an Etsy store!" we tell a friend who has knitted a single scarf. "This should be a podcast!" we convince each other drunkenly in Ubers. And on the one hand it’s brilliant, because the ease with which anyone can start a project means women and maligned communities have more ways to build a career on their own terms. But on the other hand, the pressure of keeping up all those projects can be a road that leads nowhere but burnout.

"For a long time, I felt like any time spent doing anything purely for fun was wasted time. I turned all of my hobbies (writing, music, cooking) into 'side hustles' of some sort – something I could monetise, or use in my career, or put on Instagram to 'build my brand'," says Amy Jones, 28, author of forthcoming book The To-Do List and Other Debacles, which examines how 'do everything!' culture sets us up to fail.

"It got to a point where I couldn't relax at all. I turned all my hobbies into projects, and if I wasn't working on one of them then I felt like I was wasting time."

When I ask France Corbel what inspired her coffee pot illustration, she tells me it sprung from a period of 'wasted' time too. "At first I was happy, but then I started to feel guilty whenever I did not use this time to do something that looked like work," she says. "Doing nothing made me feel invalid."

If you don’t start every message with 'Sorrysorrysorry this week has been CRAZY!' then what kind of time-rich gadabout lazybones even are you?

"Something that looked like work" is a perfect summation, isn’t it? Because productivity, like so many other aspects of modern life (eating, exercise, buying a small, perfect succulent), has become as much about outward projection as personal satisfaction. 'Performative busyness', as we’re beginning to call it. If you don’t start every message with "Sorrysorrysorry this week has been CRAZY!" then what kind of time-rich gadabout lazybones even are you?

The problem might also be that we’ve recategorised so much of our social and home lives as 'admin'. For example, my current to-do list includes sending a long Twitter DM, replying to an email from my parents and buying a rug off eBay. Whatever the cause, it seems the backlash has begun. Corbel’s illustration is spreading across the internet, and with it a raft of new articles examining our obsession with life at the grindstone. In October, Nat Eliason coined the term 'struggle porn', "a masochistic obsession with pushing yourself harder, listening to people tell you to work harder, and broadcasting how hard you’re working". Last month on Man Repeller, journalist Philip Ellis asked whether 2018’s love of hustle is paying off for anyone other than the companies we toil for. And this article in The Economist pointed to three separate studies that all suggest our productivity might actually decrease when we put more hours in.

Meanwhile in Scandinavia (you felt calmer as soon as you read that, didn’t you?), buzz around the six-hour working day has been growing, with trials generally finding that workers are happier, healthier and no less productive. UK companies such as Advice Direct Scotland and Cardiff-based IndyCube have switched to a four-day working week, while the Trades Union Congress (TUC) wants to see every business follow suit by the end of the century. We’ll be dead by then, of course. But possibly not from a stress-induced aneurysm.

Of course, none of this means that hard work is the enemy. Rather, the whole point of productivity should be finding ways to work more efficiently so we can spend less time doing it.

"We operate in a culture of constant distraction," says Dr Anna Akbari, author of Startup Your Life: Hustle and Hack Your Way To Happiness. "This makes it harder to focus and be productive, and it also creates a million tiny 'tasks' that tug at us – be it responding to someone on social media or a (likely non-urgent) phone notification begging for our attention. These distractions, on top of managing multiple gigs and income streams, can leave us feeling overextended and defeated."

It’s the difference between climbing a mountain and walking on a treadmill – we need the satisfaction of reaching a summit, not just an endless slog towards a never-nearing horizon. And sometimes, we just need to sit on a sofa and stare at a wall.

"I don't think there's anything wrong with working hard in your spare time, but now I'm giving myself permission to do things just because they're fun," says Amy, who has taken up watercolour painting for no professional purpose whatsoever. "I'd rather be happy than super productive."

I’d like to hear more stories of people who go home at 5pm to do a giant jigsaw.

In a culture where we spend so much time hyping each other up and telling ourselves we can do anything, there is perhaps no more radical message than adding: "...but you don't have to." Instead of another story about a successful person who dug deep and achieved their impossible dream, I’d like to hear more stories of people who go home at 5pm to do a giant jigsaw. Most crucially, we need those stories from women. Because when it comes to productivity, the patriarchy has us cornered. So often we feel we have to work twice as hard as men to prove ourselves worthy of success, and yet it’s also in The Man’s interest to keep us this busy.

"In a capitalist system, work is success and success leads to happiness," points out France Corbel. "But I'm not sure that seeing happiness as another goal you need to work on is very healthy. We need boredom to be creative, we need rest to be able to do what we want, we need time to take stock and evolve."

"The things that inspire us don't always yield immediate productivity – but that doesn't mean they lack value; quite the opposite. We all need to define our own metric for success," agrees Dr Akbari.

So I’m defining mine. If I work hard enough to buy myself the fancy coffee in the pot, then that’s successful. That’s enough.

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What Team R29 Wore To Its Christmas Party

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Work Christmas parties might be best known for warm prosecco, regretful kisses and next day fear but they also offer the opportunity to show off a sartorial side that the rest of the office rarely gets to see. To really amp things up at Refinery29 HQ, this year we decided on a dress code of 'glamorous' for our work shindig, which most people seemed to get on board with (perhaps the far-outnumbered men of the office less so).

Anyway, we drank, karaoke-d and danced the night away. Click through to see what a few R29-ers wore to our festive party.

Natasha Slee, Associate Creative

This glittery jumpsuit was originally bought for an old company Studio 54-themed party four years ago. It’s ASOS Tall, and is so long I had to cut 6 inches off the legs (I’m 5'11). To glam it up for our 'glamorous' theme, I picked up this leopard print belt and OTT choker from River Island with a voucher I’ve had for 12 months. Cost to me: £0. The pink boots are from Topshop and were chosen specifically so I didn’t have to get a pedicure.

Kara Kia, Editorial Intern

This fabulous square neck midi is from Revolve, it's by one of their house brands called "Lovers + Friends" and I love it! I had it taken in at the waist and added two darts to the bust for a more flattering silhouette. Heels are from New Look and if you zoom very closely, you'll see I'm wearing a delicate gold tiara from Accessorize which made me feel like an Audrey Hepburn fairy princess. This was as much a costume as a look, since I threw some killer vocals for karaoke by singing "Santa Baby", Eartha Kitt-style.

Sarah Raphael, Editor at Large

In 2007 I queued up outside H&M in Oxford Street for the much hyped Roberto Cavalli for H&M collaboration. As a tomboy student whose style icon at the time was Kurt Cobain, I’ve no idea why this floor-length leopard print gown spoke to me, but it did, and I bought it for a few hundred pounds, alongside a sparkly flapper dress which I then sold on eBay for twice the price, which means the leopard print paid for itself. I wore it to my 21st birthday and felt fantastic and then again 11 years later to the Refinery29 Christmas party and felt equally fantastic. I become an extrovert in this dress, it has a power over me.

Gillian Orr, Content Director

I saw Rihanna wearing a red velvet gown to a Christmas party, so I wore a red velvet gown to a Christmas party. I bought this from a vintage store three years ago and have found at least one excuse to break it out every December since. I should add it stays firmly at the back of my wardrobe the other 11 months of the year. And who needs accessories when you have your beloved Editor at Large on your arm?

Sadhbh O'Sullivan, Social Media Assistant

I set myself two challenges this year: keep it tonal, and keep it secondhand. I spent about an hour and a half scouring Beyond Retro in Dalston, trying on various dresses which felt wrong (I haven’t worn a skirt in months. Who was I kidding?!). Just as I was about to leave, I found these dreamy lilac trousers and had a lightbulb moment – I was going to be the Lavender Menace, a reference that only I would get. Hence the grape silk shirt and '90s pleather-effect jacket that I’ve had for a few years. The boots are old from ASOS and the earrings are newish from Topshop – I did my best to find secondhand purple earrings but to no avail.

Jacqueline Kilikita, Beauty Editor

I got my red, faux snake print dress from Topshop because, as you can see, I’m so incredibly unique. Kirstie and I ended up rocking an identical look, right down to the red lips and a safety pin holding the gaping chest together, because a free bar = inevitable boob flash. The busy print saved me when I spilled a drink down my front before we’d even left the office and the thigh split meant I could dance like an idiot when I’d had too many double vodkas. For that reason I’ll be recycling it for my best friend’s wedding in February.

Kirstie Eden, Sales & Partnership Director

Event: Christmas Party. Theme: Glamorous. Inspo: The Strawberry Delight Quality Street. I landed at Heathrow mere hours before our festivities began and, on arrival, I saw Jackie across the room looking gorgey and rocking the same dress (what work Christmas party would be complete without a double up?). Cue a night of all the #twinning #girlband photo ops we could have wished for!

Laurene Mpia, Associate Production Manager

My silk pyjama suit is from H&M. I wore it with my favourite red cowboy boots from Mango and a forest green faux fur scarf. Everyone knows my love for suits, so I tried to style it up with some small, banging festive details. The theme was glamorous but I swore to myself that any outfit I bought would have to be reused. The best buy so far!

Chemmie Squier, Creative

My top is vintage from Beyond Retro about four years ago. I’ve only worn it once before; it’s probably the only thing in my wardrobe which is even close to 'glamorous'. It’s heavily beaded which means, yes, there’s a lot of embellishment, but it’s pretty damn weighty too. I wore it with black jeans and black block heels because that’s as glam as I get tbh. Perfect outfit to lose my mind and dignity in.

Emily McDonald, International Partnerships Manager

The dress is Ganni (via the Outnet) and the shoes are Office. The earrings are likely Claire’s Accessories and I believe I bought them when I was about 15 (an investment piece). I had somewhat of a cat-and-mouse relationship with this outfit before buying it. I’d flirt with the idea, wrestle with the price tag, only to reason that I had bills to pay. Naturally, three weeks of half-hearted internal debating later, I’m in the dress with no regrets. Merry Christmas to me!

Crystal Rasmussen OBE, Contributing Editor

I decided to wear my favourite colour — Fresh Blood Red, Pantone #69 — because it’s a warning: to the men who have scorned me, and the men who are yet to scorn me. Fun fact: this dress was once brilliant white, but after a particularly Chicago -style separation from a former husband, number seven I think, it was forever stained by a mysterious red, thick liquid. But I love it! Change is inevitable, and so I rolled with the new colour because it says ‘danger, sex, divorcee’ while also going incredibly well with my hair and my stunning, dewy, natural complexion. Such a fun night. Happy Christmas to everyone — especially to my lawyer, and the lovely bank teller who cashes all my alimony cheques. Love you xxx.

Kelsey Freeman, Designer

If you can’t wear a leopard print suit to your first Refinery29 Christmas party then when can you? I teamed it with my old faithful sheer roll neck and gorge lace bra (both from Urban Outfitters). I ditched my heels last minute and changed back into my Converse because of all the fierce moves I planned to bust out. I’m yet to hear any feedback on those...

Jazmin Kopotsha, Entertainment Editor

Oh, I had big plans for the Christmas party. Statement velvet green suit plans. This was going to be the year that I made a conscious effort to prove my worth among my inherently stylish colleagues. Obviously, I took too long to get my shit together; & Other Stories ran out of the two-piece of dreams, and I was left with the last standing LBD in my wardrobe (an old slinky Boohoo number). My new Nike Air Force 1’s were a mismatch dream, though, and made me feel way cooler than I am. The white faux fur bag served as a comfortable cushion in the Uber home.

Anna Jay, Art Director

I've followed the procession of people buying Topshop's satin bias midi skirts, of which I think there are at least 17 owned by the team at R29 UK. I bought it in both leopard print and navy, and opted for the navy here paired with a glitter crop, also from Topshop. Two hair slides from Accessorize and my trusty velvet heels that I can dance all night in.

Meg O'Donnell, Junior Art Editor

The moment I set my eyes upon this ruffled velvet number it made its way into my ASOS basket. Teamed with my black stompy Creeper boots, a pair of sparkly earrings and a matte red lip, I was absolutely raring to go. I obvs didn’t move from this position all night for full effect… The glamorous, oh the flossy flossy.

Tilly Thorns, Client Services Executive

This being my first R29 Christmas party, the pressure was on. Day in, day out our office has some of the best dressed gals you’ll find. Naturally, I found this pressure overwhelming and instead of picking an outfit I hauled four outfits into the office. After 20 minutes of Spotify’s UK garage playlist, two proseccos and a mince pie, I went with the first outfit I tried on. Hardly a showstopper – my black on black look is paired with Kurt Geiger à la Gucci mules and the world's tiniest bag.

Emily Fleuriot, Associate Creative Director

Not that I need Christmas as an excuse to buy yet more sequins, but it’s certainly a good enough reason. This bronze sequin bodycon dress was snapped up from Warehouse during their AW18 party edit promo. They’ve recently done a great collaboration with Ashish that I’m loving too, and will definitely be a staple of my after-dark wardrobe through December and beyond. The OTK suede boots are seasons-old Sophia Webster and I drag them out at any opportunity. I love her heels – she makes them just the right height to dance all night. The cross-body bag is the Celine mini trio (which may or may not be a very good quality knockoff), which is fab but highly impractical as I spent all night dropping my stuff through the gaps between the pouches. The beret is vintage.

Zanny Ali, Senior Content & Optimisation Manager

This is standard December party fare for me. White Levi's, white tee, dirty off-white trainers (suede Vans here, somewhere behind those beers) and something ill-fitting thrown on over the top (in this case a fake silk shirt bought on holiday in Manila). Accessorised by hair ties and free drinks/cloakroom paper bracelet on either wrist. Jeans are looking pristine, so I imagine this was taken at the start of the night.

Sian O'Flaherty, Senior Creative

The velvet dress is & Other Stories and was a steal in their Black Friday sale. The shoes are H&M and are legit the comfiest heels I’ve ever worn (although they’re now on the destroyed side after partying too hard in them) and the earrings are Mango (the OG for great earrings). I’m totally recycling this look for NYE...

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Gifts We Want To Buy Ourselves For Christmas

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'Tis the season to treat thy self! Of course the holidays are first and foremost for spending time with family and friends, sharing food, fun and giving to others but as far as we're concerned, self-gifting is a form of self-care. And while we absolutely enjoy choosing and giving thoughtful gifts, we aren't ashamed to admit that it's just a teeny tiny bit more joyful when we get exactly what we asked for. Buying something for yourself means that's guaranteed.

Ahead, team R29 share what we're getting for ourselves this Christmas.

Refinery29's selection is purely editorial and independently chosen – we only feature items we love! As part of our business model we do work with affiliates; if you directly purchase something from a link on this article we may earn a small amount of commission. Transparency is important to us at Refinery29, if you have any questions please reach out to us.

Georgia Murray
Fashion & Beauty Writer

My first trip to Charleston, the Bloomsbury group’s legendary home, inspired this find. Plants were spilling out of Grecian busts in the gardens there, and I’ve been on the hunt for something similar ever since. Decadent? Yes. Essential bedroom feature? Absolutely.



Anthropologie Grecian Bust Pot, $36, available at Anthropologie

**PROMO FEATURE**

Laurene Mpia
Associate Production Manager

Christmas shopping inevitably ends up with me splurging and buying gifts for myself and this year is no exception. I’ve just gifted myself these slick Converse x Gore-Tex trainers; they’re a fresh upgrade on standard Chucks and I feel like they’ll go with just about everything in my wardrobe…that's enough justification, right?



Converse Converse X Gore-tex Chuck 70, $95, available at ASOS

Katy Harrington
Managing Editor

I turned 38 this year and despite my advancing years, my jewellery collection is still more of the kind you'd spend your pocket money on in Claire's Accessories. In short, my earrings and rings are guaranteed to turn your ears and fingers green. No more! My plan to invest in good jewellery starts this Christmas with this very lovely stacking ring in rose gold. No need to practise my "Oh my god I love it" face for when I open it.



Astrid & Miyu Crossing Lines Ring Stack, $120, available at Astrid & Miyu

Kara Kia
Editorial Intern

I haven't done much to remind myself of home since I moved to London, and when I saw the poster for this play on the Tube, I thought it would be a sin not to attend. A nine night, or dead yard, is a Caribbean wake that lasts a few days. It's usually a party with drinking (lots of white rum), traditional food (mannish water), family, friends, dancing, chanting and crying. Nine Night has good reviews and the mix of death and comedy is right up my alley.



by Natasha Gordon Nine Night, $32, available at Trafalgar Studios

Jess Commons
Health & Living Editor

I do very much want a good and reliable pair of statement hoops but I did a recent edit of my wardrobe and felt a bit gross about how much STUFF I had, so now I’m trying only to buy secondhand or from places that give back. Soko is an ethical fast fashion company which works with the Kenyan artisans who make its products by helping them to grow their businesses in a sustainable way. These earrings are beaut and yes, they do ship internationally.



Soko Stari Hoop Earrings, $50.5, available at Soko

Meg O’Donnell
Junior Art Editor

Oh my! Would you look at this cute, pocket-size photo printer. As an avid photo taker, this lil' printer is ideal for all the memories I wish not to lose within my iCloud folder of 9000+ pics (mainly selfies). I’m far too excited to take this bad boy on a night out. Be prepared friends, your Christmas cards will contain a complimentary 'drunk Meg' printed selfie. You’re welcome.



Canon Zoemini Portable Photo Printer, $119.99, available at Canon

Anna Jay
Art Director

I’m not going to try and be fancy here. I tried asking for this for Christmas, but my nearest and dearest had already been highly organised, so self-gift it is. Nike just announced a multi-year sponsorship with England Netball, which is pretty exciting, so I’m cashing in straightaway with this swoosh hoodie. I’ll wear this loud and proud any day, whether it’s match day or not. I’m also going to subscribe to Dame’s donation box in partnership with Bloody Good Period; £5 buys a two-month supply of sanitary protection for a displaced woman in need.



Nike Netball Swoosh Hoodie, $59.5, available at England Netball

Katy Thompsett
Sub Editor

A skirt for the kind of put-together person I hope to become (one day, one day). In Christmases gone by I have unwrapped toothpicks (really), a bubblegum machine (hi, I’m not 12), and duplicates of everything my sister asked for but in a different colour (love you too, Mum). This year, I’m taking matters into my own hands.



& Other Stories Front Slit Leather Midi Skirt, $169, available at & Other Stories

Jazmin Kopotsha
Entertainment Editor

When I moved house over summer, I had this romantic idea that I would revolutionise the way I used my bedroom. It would be a positive space used only for catching Z’s and being zen, not a cave in which I spill curry sauce on my bedsheets and work (lol, watch Netflix) into the early hours. Having a floor lamp (more grown up than a table lamp, you see) beneath which I would read and muse and be super chill was a big part of that vision. Also, people tend not to gift floor lamps these days, so it’s really up to me to buy one for myself…



Made Arceli, $79, available at Made

Sarah Raphael
Editor at Large

I've been borrowing my flatmate's evening bags (McQueen, Gucci, McCartney) for the last few years but this year she moved out and I've been sadly carrying around my big work bag to events, crying into it because I miss her so much. If I had endless money, I would go for this McQueen satin four ring clutch, which would be a real homage to her fabulousness. But since I don't, I choose this also very lovely Bao Bao Issey Miyake clutch in green.



Bao Bao Issey Miyake Phase Clutch Bag, $380, available at Selfridges

Jacqueline Kilikita
Beauty Editor

I often get the Central line to work and it’s SO BLOODY LOUD I can’t hear my music at all through my current earphones, so my techy friend recommended these headphones instead. They’re noise-cancelling and you can adjust the volume to suit your environment, whether you’re underground, on an aeroplane or in the office. They’re not pretty but they don’t look chunky or lairy like some headphones I see people donning on the Tube, so I know I won’t look stupid.



Bose Bose QuietComfort 35 (Series II) Wireless Headphones, $289, available at Amazon

Natalie Gil
Senior News Writer

I'm sick of watching shows and films on my 13-inch laptop and I live alone in a studio flat, so I can't justify making space for a TV. A portable projector seems like a sensible and cool solution. Plus, I have a bare white wall facing my bed that needs filling, so all signs point towards me making this purchase. As if I needed another reason not to leave my bed.



Vankyo LEISURE 3 Projector 2400 Lumen Mini Projector, $59.99, available at Amazon

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6 Ways To Avoid Awkward Money Issues This Christmas

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Christmas is a time of giving, receiving and constant financial awkwardness. From stressing about how much cash to put in a card, to settling up a bill when everyone wants to pay in different ways, it feels like a festive financial butt-clench moment (FFBCM) is always just around the corner.

Case in point: Last Christmas, my friendship group did Secret Santa and a high-flying lawyer pal decided to ignore the £10 cap and bought me a wallet that cost six times the budget. Panic ensued. An argument broke out with a ferocity not seen since that time she picked up the bill without telling us, leading to angry cries of "WE'RE NOT CHARITY CASES". As Secret Santa approaches once again, I’m terrified she’s going to buy me a yacht.

Thankfully, there are several ways you can avoid such FFBCMs – like paying off your IOUs in seconds with PayPal, allowing you to sail through the season unscathed like a happy, festive…boat. Sorry, I’m really worried about the yacht thing.

1. Be honest with yourself about your social calendar

With the invites coming in thick and fast, it's a rookie error to believe your stamina and bank balance are suddenly invincible during December. Overfill your calendar and you'll be exhausted by the 15th, skint and sick at the sight of another lukewarm mulled wine.

Instead, suggest to friends that you swap pricey dinners and midweek drinks for freebie carol concerts and soaking up the atmosphere at a Christmas market. Even better, invite everyone round to welcome the holiday with a classic Christmas movie and supermarket vino.

That way you're spending less without skimping on the festive spirit.

2. Use PayPal to buy group presents

The moment you decide to all 'put in' for someone’s present – whether it’s corralling your siblings to get something mum actually wants, or colleagues doing a whip-round to butter up the boss – two things will happen.

Firstly, one person will stump up the money on the promise that everyone will pay them back. Secondly, they’ll receive the last IOU around mid-March because people forgot, didn’t have the right cash or life just got in the way.

The solution? Send money with PayPal. It takes seconds, and if you're in the UK, it's totally free to send money to someone else in the UK. All you need is the PayPal app and their email address or phone number.

If you’re the owed, you can literally stand over the person until they’ve done it. If you’re the ower, well, there’s no excuse. PayPal makes IOUs a lot more straightforward.

3. Don’t stress about putting cash in a card

Ah, the old cash-in-a-card present. There was a time when it was the perfect go-to for your best mate's boyfriend who you’ve never actually heard speak, but it's becoming a minefield.

How much should you put in? While a tenner feels offensively low, £20 is the price of a much nicer bottle of red than you bought your sister for her birthday. Are you saying this guy is more important than your own flesh and blood?

So what should you do? Stop panicking, remember that this is someone who’ll be surprised you even bothered getting them anything, figure out what they drink and buy them a bottle of it. Unless they only drink Laurent-Perrier. In which case, put a tenner in a card as a reality check.

4. Make settling up at dinner pain-free

Some of you had starters, half of you drank the marginally less expensive red wine while the others stuck to white, there were sides ordered 'for the table' and you’re all far too merry to do mental arithmetic. It’s probably time to settle up, which means the waitress has to go round with the card reader before you realise that two of you want to pay cash but need change because why should the service charge be taken out of their cash when everyone else has added service charge onto their… Stop.

If everyone uses PayPal to send their share to one person, the bill can be paid in one go, stress-free. Not sure about you, but my blood pressure went off the charts just thinking about that situation.

5. If you’re skint, avoid rounds like the plague

Buy your own drinks, and if lawyer friend buys everyone shots, that does not mean you have to do it too.

If it makes you feel better, I find saying "Oh I’m not sure what I’m going to have so do the rounds without me" in a really cheery, casual way and then going to the loo helpful. Firstly, nobody knows what to order for you because you’ve gone to the loo and secondly, you’re safe for the night.

The moment you’re out of the round system, you never have to dive back in. That one toilet trip has earned you a night of cheap wine minus the worry.

6. Put some money aside for New Year’s Eve

There’s nothing wrong with spending NYE on the sofa watching TV, unless you desperately want to go out but can’t because you blew all your money pre-Christmas. I’ve been there, and can attest to the fact that you have never truly understood the concept of FOMO until you’re watching the rest of the world party on Instagram while you sit in your PJs.

Instead, at the start of the month think about how much you’d usually spend on a good night out and put it aside. Maybe in a separate account. Or perhaps get it out in cash, give it to a trusted person to hide until 31st December and make them swear they won’t give it to you, even if you’re crying. You’ll thank them (and me) at midnight, I promise.

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Why Watching Beauty Pageant Films Is My Dirty Little Secret

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Cast your mind back to the year 2001. Miss Congeniality had finally arrived in the UK, we now knew that 25th April was in fact the perfect date and Michael Caine, who played disgraced pageant coach Victor Melling, delivered the mantra that no doubt defined the outlook of future aspiring beauty queens: "Wear the crown, be the crown, you are the crown."

You want to laugh, but you’re also not sure how seriously to take any half-joke about the superficial world of beauty pageanting, right? I’m with you. The blatant absurdity of it all and intermittent questioning of the way the contestants demonise pizza for the sake of a panel-pleasing body, for example, are two of the many things that made Miss Congeniality iconic. In fact, in the 18 years since I first watched it, the film has come to drive and define my deep, conflicted fascination with beauty pageant films and TV shows. Niche, I know. But recent releases (and my adoration of Sandra Bullock rom-com-drams) have made me think about this a lot.

Allow me to refresh your memory. Sandra Bullock stars as Gracie Hart, a tomboyish FBI agent who has a habit of running her mouth and not quite following orders. She speaks with her mouth full, wears masculine shoes and a hearty snort accompanies her laugh. She’s the antithesis of the finely tuned restraint that a beauty queen typically radiates. Intelligence learns that a serial killer is targeting the Miss United States pageant and so Hart is sent in undercover. (A mission that she’s only assigned after the male agents have gathered around a computer screen, armed with popcorn, to scroll through photos of female agents in swimsuits to pick out who would be right for the job.)

She goes, she saves the day and she learns that, despite her original opinions, beauty pageants aren’t just about fit bodies, fake tears and the faux desire for world peace. It’s a classic Hollywood makeover story (Victor Melling and his team fix Hart’s teeth, wax her entire body and introduce her to chicken fillet inserts) merged with a "champion the underdog" narrative. It briefly introduces the unsavoury philosophies that are rooted in the demands of beauty pageants but also reminds us that there is heart, humanity and a sizeable scholarship fund on the other side of these competitions. And it glosses it all with the light comic relief needed to swallow such an absurdly captivating narrative.

Fast-forward almost two decades and we’re still following the same structure to tell beauty pageant stories. Catherine Zeta-Jones stars as highly sought-after pageant coach Vicki Ellis in her new Facebook Watch "dark comedy" series, Queen America. The first episode opens with a young woman in her teens – the current Miss Tulsa – running on a treadmill. She’s wearing her crown for the occasion and being shouted at by Vicki and her assistant. Her fierce determination to run harder is both terrifying and laughable – she’s reminded that no Miss America in history has had love handles or cellulite.

At least, it’s funny in the sense that you think you’re in on Queen America 's joke. The show is deliberately mocking the wild, superficial intensity of what we understand this strange world of competitive optics to be. It’s then concerning because that understanding of what to expect from young women putting themselves through physical and emotional hell, all to be honoured with a crown and a sash, has come from somewhere. The pressure to look a certain way (i.e. super slim with bouncy hair and a relentless smile) spreads all too easily.

Danielle Macdonald and Jennifer Aniston in Dumplin'Photo: Bob Mahoney/Netflix

The redemptive underdog in this storyline is Samantha. She’s sweet, naïve to pageanting and knows that winning the Miss America competition is the only way she’ll be able to get to university. Vicki is eventually forced to take on Samantha as a client and it’s through their conflicting outlooks that we get the careful pro/con balance these stories need to work (though Vicki’s teenage niece who has put on weight and decided that pageants are "profoundly unimportant" is an interesting, though underused curveball).

Despite the promise of funding and education, the first thing that comes to mind when we talk about beauty pageants will always be the "beauty" part. It’s no secret that it’s a restrictive term, and what the second of this year’s pageant dramas does really well is address how it typically fails to be inclusive. Well, it does it "really well" for a light-hearted Netflix Original tackling the same topic matter that the streaming giant's earlier series Insatiable failed to get right.

Dumplin' stars Jennifer Aniston as an ex-pageant queen and director of the local Miss Teen Blue Bonnet pageant. Her plus-size daughter Willowdean (Danielle Macdonald) is fed up of the narrow beauty standards that her mother’s pageant promotes, so she signs up as an act of protest. Joined by fellow outcasts and with the support of drag queen fairy-godmother types, she gets through the pageant with the expected family-friendly flair and finds renewed confidence in herself, despite the implied physical restrictions of traditional competitions. "Nowhere does it say 'fat girls need not apply'," Willowdean’s plus-size friend Millie, who also signs up to the pageant, announces.

But even with the sincerity of Dumplin' s familiar push-pull take on pageantry, you’re still left not knowing how seriously to take the industry at the heart of these stories. In essence these shows, and pageants themselves, all discuss what a woman is meant to be. How she should look, the sort of "talents" she should have and the way she should present herself to the world for acceptance. And while there is fun to be had in the execution – beauty pageants are meant to appear inviting, over the top, glamorous and beyond our glitz-free normality – at its crux is a conversation about the prescriptive demands on women, and that conversation is only had fleetingly on screen. I have to admit: turning a small town pageant into a big budget satire only packs so much of a punch these days.

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Here's How To Make Sure You Get That End-Of-Year Bonus

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As 2018 draws to a close, many workers have year-end bonuses on the brain. Whether your employer regularly doles out Christmas bonuses, or you find yourself having to breach the topic yourself in a meeting, check-in, or yearly review, bonuses are an important way to add to your income, and for your employer to give feedback about your — and the company’s — performance.

The problem is, the gender wage gap affects bonuses just like salaries, in fact, it’s commonly referred to as the ‘bonus gap.’ For this reason, when we discuss closing the gap, we must keep in mind discrepancies in total compensation — not just base salary.

According to the gender pay gap findings from earlier this year, men earned more than women in 80% of companies. And, when it came to bonuses, women were regularly paid less than men - with the finance sector being the biggest offenders: they regularly paid women 35% less than men.

There is a pressing need for young women to close the bonus gap now. The only problem is asking for a bonus can be tricky.

Refinery29 chatted with Ariel Lopez, former recruiter, career coach, and founder and CEO of 2020Shift, who provided some tangible strategies for young women looking to ask for — and receive — a bonus and, in the process, help close the gender bonus gap.

Start The Conversation Early

"No one is going to pay you the money you deserve," Lopez told Refinery29. "You have to ask for it."

According to Lopez, one of the best ways to set yourself up for success when thinking about asking for a bonus is to start having these kinds of conversations early.

It's important to voice concerns and expectations around salary when you're interviewing, but equally as important to pick these conversations back up periodically. "Define what it looks like for you to be successful in the job," Lopez says. "Make sure that they know it’s a priority for you."

By making it clear that your salary expectations fall between a certain range from the beginning, you can refer back to these expectations down the road, particularly when discussing bonuses or other incentives. "I always encourage people to think about how much they want to be compensated," Lopez says. "Make sure you know what your non-negotiables are. ('If you can’t meet me here I can’t do the job.')"

"Being really clear about what that [non-negotiable] is for you makes it easier to get to the number that you want to," Lopez says.

illustrated by Tristan Offit.

Always Track Your Successes

Whether or not you're getting ready to ask for a bonus, or ask for a raise, you should always keep track of everything that you're doing in your role. "You should essentially be building a case for yourself," Lopez says.

Keep an ongoing record of your professional wins so you can paint a picture of how you're serving the organisation once it comes time to sit down with HR or your boss and ask for that bonus. "Build that use case for yourself," Lopez continued. "That should start from day one."

To help stay on top of everything, Lopez recommends keeping a document where you can track everything — every project you work on, every campaign that gets insane traffic, all of the metrics and proof of success during your time at the company. "That stuff matters and can work in your benefit," Lopez added.

illustrated by Tristan Offit.

Get Smart About The Numbers

Lopez makes it very clear that educating yourself about your worth is of utmost importance when discussing compensation. And while making your goal range clear from the start and tracking your success metrics are important, so is knowing your average industry salary range, and any other knowledge or numbers that could help your case. "Being well-informed is only going to help you," Lopez says.

Lopez recommends talking to people you work with, not just about bonuses but about compensation in general. "You’re not supposed to ask your colleagues how much money they’re making," Lopez admits. "But it’s your job to be well-informed about what’s going on in your industry, specifically within your field." (Also, it's not illegal to discuss salary with colleagues.)

For those who feel uncomfortable asking their desk-mate how much their bonus was last year, Lopez recommends doing ample research online. There are plenty of resources such as Glassdoor's Know Your Worth, and Career Contessa's Salary Project, where you can get rough estimates of what others are making in your field and position as well as what your approximate worth is in the position you're in.

"Once you come up with enough information, you can say: This is what I’m making but based on my research I should be making this," Lopez says. And if that isn't enough to persuade them, refer back to your business case of all that you've done while you've been with the company.

illustrated by Tristan Offit.

Just Ask For What You Want

Many young professionals assume that their hard work will be recognised, and that bonuses and promotions will simply be handed to them. In fact, it's fairly common to assume that workers have little to no say on the topic of bonuses. But this couldn't be farther from the truth.

According to Lopez, you ultimately have to advocate for yourself. She even recommends, being a bit aggressive."Unfortunately when it comes to women in the workplace, aggression has been deemed as a very dirty word," Lopez says.

She clarifies, however, that most women tend to err on the side of passivity when it comes to asking for money — whether for fear of sounding greedy, alienating a manager, or otherwise — which in turn perpetuates the unequal status quo.

"In order to make the money you want to make and get to where you want to get, you can’t have that mind frame and expect to get there," Lopez says. "You have to change the way you think about things and be open to being uncomfortable."

illustrated by Tristan Offit.

Instil A Sense Of Urgency

Above all else, Lopez recommends doing what you can do to bring a sense of urgency to the conversation. While every employee's relationship with a manager or HR department will vary, Lopez believes it's important to make it clear that a financial goal is of great importance to you.

"When we’re talking about getting money there has to be a sense of urgency," Lopez says, adding that it has to be you who brings this energy into the conversation. "The company never has a sense of urgency — they’re happy with status quo."

Lopez says that this could include leveraging a counter-offer, though not everyone will feel comfortable with this strategy. However, Lopez believes that using counter offers can work. "It’s old school psychology — people want things that they know other people want," Lopez says. "Most employers, as soon as they know someone is about to be poached, they’re a bit more flexible."

If this approach isn't your style, Lopez says to find a way to allude to the fact that you won't settle for a bonus — or base salary, for that matter — that doesn't meet your (hopefully previously-stated) expectations. "For HR, its all about retention," Lopez says, adding that, ultimately, if you're willing to leave a job if you don't feel you're being fairly compensated, then you need to let them know.

illustrated by Tristan Offit.

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The 10 Best Albums Of 2018 All Have One Thing In Common: They're Made By Women

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It's no secret that, commercially speaking, 2018 wasn’t a great year for the representation of women in music. Once again, the top 10s – Spotify, Billboard and the like – are dominated by men. But some of the most interesting, most boundary-pushing, and best music of this year came from women.

In our opinion, women made all the best albums this year; from Ariana Grande, who made the best album of her career thus far, to Cardi B, whose star shone brighter than any man in rap, to Christine and The Queens and Robyn, whose long awaited follow up records did not disappoint. Read on for our pick of the ten best albums of 2018.

10. Nao Saturn

If there's an under-celebrated artist to integrate into your Spotify playlist right now, it has to be Nao. Much of her success has flown under the radar of charts and mainstream radio but her distinct funk, jazz and neo-soul blend deserves wider recognition. Saturn is her second studio album and bursts with head bop-worthy beats and fresh conversations about otherworldly love and the struggle for survival. Despite some of the most emotionally raw lyrics ("Make It Out Alive", "Orbit", "Don't Change") Saturn manages to radiate so much warmth throughout. A spellbinding gem worth exploring further if you haven't already.

9. Florence + the Machine High As Hope

Out of the darkness of bad relationships and inner demons, Florence Welch emerged into the light with High As Hope. In true Florence fashion, the lyrics in this year's album are full of the type of raw emotion that others might fail to articulate as vividly, marking High As Hope as perhaps a personal emancipation from the struggles that had held her back previously. The real heart (and thus, pain) is in the lingering lyric details. "Hunger" addresses her difficult relationship with food, "No Choir" challenges the point of discussing happiness and "The End of Love" talks about familiar self destructive tendencies we've all experienced in relationships.

8. Kacey Musgraves Golden Hour

Country radio may have forsaken Musgraves on this album, but everyone else was totally onboard, and with good reason. While her dance into the land of disco-inspired production hit the spot for a Mamma Mia! -doused year in pop culture, it was all a little too girly for the genre who can barely be bothered to give women airplay. Their loss is everyone else’s gain, though, because this glitter-covered fantasy of an album brought is a cadre of songs to fall in love to and created a model for a healthy relationship. Between “Butterflies” and “Slow Burn,” who wasn’t falling in love with Musgraves this year?

7. Jorja Smith Lost & Found

Sell-out tours, a Brit Award and features with Drake and Kendrick Lamar preceded Jorja Smith's debut album. Our anticipation was satisfied when Lost & Found dropped and Smith delivered a deeply personal exploration of identity in that familiarly turbulent period of young adulthood. Instrumentally, there's little to distract from Smith's shiveringly smooth voice. Early releases "Blue Lights" and "Teenage Fantasy" continue to demonstrate how well Smith articulates the humanity behind everything from racial injustice to high school infatuation. There's wisdom in her loves and her losses but on "February 3rd" Smith reminds us that despite the album's self-awareness, she is in fact "constantly finding herself". It's compassionate, honest and only the beginning of Smith's distinctive mark on UK soul and R&B.

6. A Star Is Born Soundtrack

Rarely does a soundtrack album of original songs stand up on its own without the picture; but it’s also rare that a performer and songwriter of Lady Gaga’s caliber is writing and singing the thing. 2018’s biggest tearjerker movie brought us not only the surprisingly good debut of vocalist Bradley Cooper, amazing songwriting by Lukas Nelson, and exciting production by Dave Cobb, but some deeply emotional songs from Lady Gaga all written as her character, Ally. Some songs, like “Shallow,” “Always Remember Us This Way” and “Maybe It’s Time” are such superb examples of songwriting they could exist without the film. But to get that punch in the gut that “I’ll Never Love Again” brings, you have to go on the journey of Ally and Jackson.

5. Robyn Honey

Robyn’s much-anticipated follow-up to 2010 masterpiece Body Talk was the undisputed critical darling of the year, but it’s also a fascinating archeological project for pop fanatics. As she’s been working on it since 2014, it follows a major shift in pop music production preferences over the last four years. It also details a significant breakup with her romantic partner and their reconciliation. Combined, Honey documents an evolution that is both musical and psychological. That’s the very definition of heightened pop; once again, Robyn manages to elevate the genre, finding the art in the form.

4. Cardi B Invasion of Privacy

No one has had a bigger year than Cardi B. And her swagger on Invasion sounds like she knew it was coming. In a year when rap’s ascendency into the mainstream was 99% male, it’s nice to see a distinctly feminine point of view come through. While her crossover moment with “I Like It” was a bit softer, she kept it hard with her original crossover hit, “Bodak Yellow.” Cardi’s irrepressible and larger-than-life comes through on every track, setting a new standard for what a successful woman in rap looks and acts like.

3. Ariana Grande Sweetener

Expectations were high for Grande’s fourth LP, and she rose to the challenge and then some. Grande elevates her game, working closely on many tracks with Pharrell, stating an intention to go somewhere new musically. Rather than creating sad laments after the life-changing trauma of the Manchester terrorist bombing at her concert, Grande welcomes in the light with all the optimism she can muster. Not only does she tap into the cultural zeitgeist by singing and writing songs about her high-profile (and ultimately short-lived) relationship with Pete Davidson, but she reinforces her stance on feminism and a dash of her signature silliness. “Thank U, Next ” was the little extra hit that could, proving Grande found her sweet spot in 2018.

2. Christine and the Queens Chris

French singer Hélöise Letissier introduces us to one more new persona, Chris, for her latest album – Chris is decidedly more masculine, assertive and hungry. It’s no surprise that the resulting record was something special. The lead track “girlfriend” lays the defiant yet seductive parameters of womanhood that Chris plays with. Her distinctive brand of sultry, cool pop funk effortlessly balances the tenderness of heartache, the complexities of sex (and sexuality) and finding identity within womanhood. Those familiar with the delayed surge in popularity experienced by her first album Chaleur Humaine will know it's only a matter of time before Chris grows into something even bigger.

1. Janelle Monae Dirty Computer

As a whole album, no one came close to touching the experience that Monáe crafted on Dirty Computer. It’s a concept album (with matching concept film) that explores her feelings of marginalization both as a Black and queer woman, along with messages of revolution and acceptance. Monáe pulls some big guns as collaborators, from her late mentor Prince to the creative brain trust behind the Beach Boys, Brian Wilson, to pop outsider Grimes. The whole album is a career-best for Monáe, who has been on a winning streak in both acting and music; Dirty Computer recontextualizes the idea of “having it all.”

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Chrissy Teigen Asked Twitter To Explain British Politics & No One Can Help

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If you're struggling to get your head around Brexit and what today's vote of no confidence in Theresa May means, you're in good company. On Wednesday morning, after it emerged that the prime minister could be about to be kicked out of her job, Chrissy Teigen shared how confused she was by the whole situation.

The model, author and Twitter user extraordinaire admitted she doesn't understand UK politics however much she reads, and that one of her New Year's resolutions is to get her head around it. "One of my goals for 2019 is to understand UK politics. I read and read and try and learn but my brain cannot grasp it," Teigen tweeted.

Teigen clearly tapped into the national mood, with British people saying they were equally baffled. Celebrities, journalists (including political reporters) and members of the public tweeted her in agreement.

Things got even more complicated for Teigen when writer Lexi Rose alerted her to a now infamous incident on Monday, when Labour MP Lloyd Russell-Moyle grabbed the parliamentary mace in protest at Brexit. (Without the mace, which represents the queen's authority in parliament, parliament can't meet or pass laws. In short, it's not meant to be manhandled.)

"Have a read about how you can grab the mace (a big gold stick) mid-debate and really upset everyone by doing so. It’s so British, it hurts," Rose tweeted. Teigen was impressed by the size of the mace but had a few more questions, and her followers did their best to get her up to speed.

Teigen said the whole situation was "harder to understand" than Super Smash Bros on Nintendo, which she'd been playing earlier in the night.

Teigen seemed satisfied to read writer Sara Gibbs' recent tweet explaining, sarcastically, that: "In England and Wales, we vote by going to the nearest woods, finding the tallest oak tree and burying our ballots in holes beneath them. One year later, we send a ballot pig to collect them and he is rewarded with truffles and hay for each vote he retrieves."

Some directed her to other educational resources she could check out, including "British Politics For Dummies", but one tweeter pointed out that, in all likelihood, it would be outdated by this evening, when the results of the no confidence vote are due to be announced. We doubt Teigen is any the wiser about what's going on – and neither are we.

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Miley Cyrus Could Be Headed To Netflix For Black Mirror Season 5

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Rumours about Miley Cyrus joining the dystopian, nightmare-inducing Black Mirror series first started swirling earlier this year when Cyrus was spotted in Cape Town. The singer took photos with several fans and was even spotted buying souvenirs. Cyrus has now seemingly confirmed her guest role on Black Mirror to Howard Stern, but with one caveat. She made sure not utter the name of the series itself as she has not received official confirmation that she is allowed to talk about her appearance yet.

To compromise, she let Stern guess the name of the series she was filming while abroad, and he guessed correctly. Netflix has yet to confirm the news, but Refinery29 has reached out for comment.

Because each episode of Black Mirror is a new story, the show has filmed at locations all over the world. The most recent season featured episodes in Nevada and Iceland. According to IMDb, Season 5 is being filmed in four different locations; Los Angeles, London, Toronto, and Cape Town.

This wouldn’t be the first time the singer has worked with Netflix recently; she will appeared as a guest on their holiday special A Very Murray Christmas. If Cyrus joins Black Mirror, she will be part of an impressive guest star lineup including Jon Hamm, Jimmi Simpson, and Bryce Dallas Howard.

The release date for season 5 has not been revealed, but on October 1 Bloomberg reported Netflix was planning an ambitious choose-your-own-adventure episode. Unclear how this will work, but it certainly sounds worth the wait.

Black Mirror will be released on Netflix. Exact date TBC

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What These Iconic Movie Queens Say About Women & Power

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Watch an episode of The Crown, and you'll know: A queen is a paradox. They're human, but their bloodline raises them above the rest of us mere mortals. They have free will, but they're bound by duty. They possess lavish wealth, but people scrutinise how they spend it. In short, everyone is watching their every move.

Given these unusual circumstances, it's no surprise that queens — and their duty-bound, high-profile statuses — make for fascinating movie subjects. These are working women who, because of their limited freedoms, fundamentally can't have it all. They frequently have to compromise between personal desire and the greater good. They weigh. They choose.

Queens might not have boundless freedom, but they do have power. In worlds both long-ago and contemporary, real and fictional, queens are women born into power when power is more commonly held by men. Two movies out this fall, The Favourite and Mary Queen of Scots, examine how queens grasp and maintain that power amid the many people vying for a chunk themselves. Queen Anne (Olivia Colman) in The Favourite finds herself in the middle of a strange, sex-fuelled triangle in which the two other prongs — Abigail (Emma Stone) and Sarah (Rachel Weisz) — compete for emotional proximity to the queen. Save for each other, Queen Elizabeth I (Margot Robbie) and Mary Queen of Scots (Saoirse Ronan) are peerless. It's a shame they're too busy being locked in a geopolitical struggle to become allies.

Each of these queens has a fundamentally difficult task: Navigating a treacherous world populated by people with ulterior motives, all while conforming to gender expectations and maintaining a "queenly" disposition — not to mention the other responsibility of producing heirs.

These movie queens speak to how a certain subset of remarkable women handle their fate.

Queen Elizabeth I (Cate Blanchett) in Elizabeth(1998)

To understand Queen Elizabeth I, you have to first understand her downright wild family history. Her father, Henry VIII, had her mother beheaded, then remarried four times; her half-brother, Edward, died at 15 after ruling as king for some years; her Catholic half-sister, Mary (known as Bloody Mary), plunged the country into a religious civil war. Elizabeth inherited the throne in 1558 at the age of 25. For the rest of her reign, Catholic detractors would question her legitimacy.

In Elizabeth, we see the queen harden from girl occupied by romance into a woman who belongs only to the state. Elizabeth realises that her only way of holding power is to keep it concentrated within her — not dilute her reign by marrying a man who will, inevitably, want some power for himself. Elizabeth's journey to achieving peek queenliness in some ways is difficult to relate to. Most of us won't have to compromise our individual whimsies for the good of the state. But the compromise, and the occasional impossibility of "having it all," is very real.

Alex Bailey/Polygram/Kobal/REX/Shutterstock

Queen Victoria (Judi Dench) in Mrs. Brown(1997)

Is a queen allowed to have personal relationships? Queen Victoria, played by Judi Dench in the movie, was devastated when her husband Albert died after years of a happy marriage. Only her Scottish servant Mr. John Brown (Billy Connolly) could bring her out of her depressive, near agoraphobic state. Maybe that's because John doesn't treat her like she's a fragile, delicate, highly important figurehead — he takes her riding, calls her "woman," and drinks whiskey with her. Gossip magazines at the time said the Queen and Mr. Brown got secretly married, but this movie never goes so far.

What's for sure: She loved him, whether platonically or not. Victoria described him as the "best, the truest heart that ever beat." Mrs. Brown shows a queen exercising an unusual power: The power to forge deep, protocol-breaching relationships. As the queen, she was ultimately above reproach.

Mark Tillie/Bbc Scotland/Ecosse/Kobal/REX/Shutterstock

Queen Clarisse Renaldi (Julie Andrews) in The Princess Diaries(2001)

Queen Clarisse occupies the same territory as most fictional queens in rom-coms and Hallmark Christmas movies. Queens, in these movies, elegantly preserve the tradition of the monarchy. They socialise with famous, powerful people and have dinner parties with excessive amounts of silverware. They're not exactly involved in matters of the state. Essentially, she's a figurehead — and she teaches Mia (Anne Hathaway) how to follow in her footsteps. Here, queen is synonymous with "elite," not necessarily with "power."

Moviestore Collection/REX/Shutterstock

The Queen of Narnia (Tilda Swinton) in The Lion, the Witch, and the Wardrobe(2005)

Her technical title is Queen of Narnia — but Jadis, the cruel woman who condemns Narnia to a century-long winter, is also known as the White Witch. The title is well deserved. In The Lion, the Witch, and the Wardrobe, Jadis lures in the Pevensie children with the promise of candy and then traps them. Yes, Jadis is absolutely evil. But unlike many of the other women on this list, she is unencumbered by well-meaning but controlling male advisors. She's also not pursued by prim-faced butlers questioning her personal decisions or judgmental newspaper headlines. She answers to no one. In some ways, she's the supreme queen.

Walt Disney Pictures/Walden Media/Kobal/REX/Shutterstock

Queen Elizabeth I (Helen Mirren) in The Queen (2006)

The Queen depicts one of the most fraught moments in Queen Elizabeth II's reign. After Princess Diana died in 1997 at the age of 36, Britain — and the world – were sent reeling. In the movie, the Queen hesitates to publicly respond to the death, considering it a public affair since Diana and Charles had already divorced. She received criticism for waiting five days to speak about the death.

As a member of the royal family, Queen Elizabeth II isn't allowed to express political opinions. She's been known for maintaining silence on issues. The Queen depicts the power of the Queen's voice, when she indeed uses it.

Moviestore Collection/REX/Shutterstock

Anne Boleyn (Natalie Portman) in The Other Boleyn Girl(2008)

The Other Boleyn Girl turns one of the most fearsome events in English history into a soapy, charged love triangle. King Henry VIII (Eric Bana in the movie) bounces between the two Boleyn sisters, Anne (Natalie Portman) and Mary (Scarlett Johansson). In his quest for a male heir, he breaks from the Catholic Church, leaves his first wife, and marries Anne. When she has a daughter, not a son, Henry turns on her. The movie ends as we know it will: Anne's beheading.

So, this is what it was like to be a queen married to Henry VIII. You are purely there for your utility. When that expires, you are executed. Some queens are entirely vulnerable to the whims of all-powerful men.

Queen Victoria (Emily Blunt) in The Young Victoria(2009)

The major queens of England are surrounded by lore. Queen Elizabeth I was the virgin with a face caked in thick white makeup; Queen Anne lost 18 children and was easily swayed by her best friend. Queen Victoria's reign, however, was marked by the men in her life. The Young Victoria looks at the most famous of her relationships: Her marriage to Prince Albert (Rupert Friend). Theirs was a love match. In fact, she proposed marriage to him. But Albert struggles to accept his position as the less powerful one in the relationship. Ultimately, as depicted in the movie, Victoria has to compromise to make him feel more comfortable.

Years later, Elizabeth II deals with a similar situation with Prince Phillip in The Crown. Elizabeth must placate Phillip and send him to the Olympics. It never changes.

Gk Films/Kobal/REX/Shutterstock

Queen Elizabeth II (Claire Foy) in The Crown(2017-present)

Compared to the other women monarchs on this list, Queen Elizabeth II occupies a far more symbolic role. Queen Elizabeth I, for example, declared war and wielded tangible power. Elizabeth II, on the other hand, is a representative – even an embodiment — of the crown. Still, as The Crown shows so expertly, the personal sacrifice demanded of her is equal as the other queens. Elizabeth's role as queen demands the same sublimation of self.

Elizabeth's mandated adherence to protocol leads to clashes. She has to tell Margaret (Vanessa Kirby), her sister, she can't marry a divorced civilian. She has to tell her husband, Phillip (Matt Smith), that she can't take his last name. She's bound.

Queen Victoria (Judi Dench) in Victoria & Abdul(2017)

Queen Victoria's first profound friendship with a male servant was memorialised in the movie Mrs. Brown. Twenty years later, Judi Dench played the same queen in the middle of a different (but equally controversial) relationship. Four years after John Brown's death, an Indian servant named Abdul Karim (Ali Fazal) ascended into Victoria's inner circle. They shared a warm correspondence. "It was unquestionably a passionate relationship—a relationship which I think operated on many different layers in addition to the mother-and-son ties between a young Indian man and a woman who at the time was over 60 years old,” journalist Shrabani Basu told the BBC in 2011.

Queen Victoria ruled for over 60 years. She survived six assassination attempts and decades of mourning. But she became famous in her capacity to maintain fearless, remarkable relationships.

REX/Shutterstock

Queen Ramonda (Angela Basset) in Black Panther(2018)

Wakanda, the fictional country in Black Panther, is a rarity among the nations on this list. It's a monarchy that has ascended into the modern age while maintaining its strong sense of tradition. Queen Ramonda embodies the country's binary. She keeps peace among the country's many tribes by leaning on ritual, but also supporting her daughter's technological innovations. Since Wakanda is isolated, she doesn't have to deal with much geopolitical tension.

Ramonda is queen when things in Wakanda start going haywire. Ramonda's strategy in stressful national situations is not to remain silent (no dig to Queen Elizabeth II meant), but to fight. She is composed, wise, and strong — an example to aspire to.

Marvel/Disney/Kobal/REX/Shutterstock

Queen Elizabeth (Margot Robbie) in Mary Queen of Scots(2018)

Mary Queen of Scots contains yet another portrayal of Elizabeth I choosing to subsume her individuality in order to serve the state. In Mary Queen of Scots, Elizabeth definitely still has desires: She wants to show her cousin, Mary, mercy; she wants to marry Robert (Joe Alwyn). She does neither, as neither would be wise.

Ironically, Elizabeth's father, King Henry VIII, followed his whims even if it sent the state plunging into chaos. In his desire to marry (and remarry, and remarry), Henry broke from the Catholic Church in Rome, creating decades' worth of religious turmoil. Elizabeth is more careful than her father. But up north in Scotland, her cousin Mary rules with a more unbridled passion.

Mary Queen of Scots (Saoirse Ronan) in Mary Queen of Scots (2018)

Mary Stuart was six days old when she became Queen of Scotland. From then on, she was set on an irreversible track. After years spent in France, Mary was a 19-year-old widow by the time she finally could rule Scotland on her own. Mary Queen of Scots is a picture of hard-headed, fiercely stubborn queen, who plows forth with idealism and guile. She's admirable in her commitment to serving her country and establishing a religiously tolerant land, especially when Catholics and Protestants were so divided.

But Mary Queen of Scots shows that when it came to being a woman in power — especially back then — there just was no winning. Mary is undone by her relationships with men, from her conniving half-brother to her controlling third husband, the Earl of Bothwell, who abducted Mary and held her captive. Mary Queen of Scots depicts scene after scene of men chipping away at Mary's power and independence, occasionally in brutal gestures, the worst being the murder of Mary's friend David Rizzio.

In Mary Queen of Scots, Elizabeth can only maintain her power by denying her happiness and her individual humanity, to a certain degree. Mary tries for happiness — and power, and might. She gets none.

Queen Anne (Olivia Colman) in The Favourite(2018)

The Favouriteis an acute reminder of how a monarchy functioned for centuries: Essentially, all of the decisions in a country's future came down to one individual's whims. The queen had the power. But could she actually wield it?

Queen Anne — or at least Yorgos Lanthimos' conception of her – was prone to hysterical jags and slumps of deep grief. She was easily manipulated by those close to her. But The Favourite also shows the Queen as a vulnerable human, an exaggerated version of what The Crown did for Queen Elizabeth II. Since she was a woman, Anne was less prepared for rule than her male counterparts. She was educated in music and art, not in geography and politics. It was like Anne never had a chance.

Elizabeth de Burgh (Florence Pugh) in Outlaw King(2018)

Realistically speaking, Outlaw King is a movie about the geopolitical clashes between Scotland and England in the 14th century — not about a queen. Still, Elizabeth de Burgh, the wife of Scottish king Robert the Bruce (Chris Pine in the movie), shows up in the movie, mostly as collateral damage. Elizabeth pays the price for her husband's ferocity — she and Robert's female relatives are held captive in England years.

However, in this modern war movie, Elizabeth is allowed to be more than a woman lost in the dealings of men. She's Robert's equal, and freely expresses opinions. Granted, this could be a byproduct of filmmakers knowing, by the year 2018, better than to create a woman character who sits in the corner and then faints at the first sign of conflict. Elizabeth is a strong companion to Robert, and she's a depiction of a woman rising to the highest level of power she could occupy.

Eleanor Young (Michelle Yeoh) in Crazy Rich Asians(2018)

Eleanor Young of Crazy Rich Asians isn't quite royalty, but she is an extremely wealthy and powerful ice queen, so that must count for something. Eleanor presides over her rarefied Singaporean social circle, setting the rules of etiquette much like a queen would in her own kingdom. And then, along comes Rachel Chu (Constance Wu), her beloved son's new girlfriend. The movie essentially depicts one queen's monolithic grip on power being challenged — by an American, no less. She's one of cinema's most instantly iconic ice queens.

Sanja Bucko/Warner Bros/Kobal/REX/Shutterstock

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How Long Do These High Street Gel Nail Polishes Actually Last?

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We've all heard the lofty beauty product claims: foundations that last 18 hours, serums that contain wrinkle-erasing magic crystals, and, of course, nail polish that looks and lasts like gel, but doesn't require a UV lamp or the damaging removal process. And we're always a little skeptical — because if it seems too good to be true, it probably is.

But in the past few years, affordable nail brands have doubled-down on the idea of long-wear, non-chip varnish and seriously upped the ante in terms of user-friendly brushes, shades that deliver complete opacity with one swipe, and ridiculously shiny top coats. So, we decided to put four of the most popular formulas to the test — in shades of red, which tend to chip fastest — to see if they really stood up to their claims. Check out our unfiltered reviews, ahead.

The Polish: Wet n Wild 1 Step Wonder Gel

The Claims: "Provides up to 2 weeks of colour and shine in 1 easy step."

The Tester: Lexy Lebsack, senior beauty editor

Wet n Wild 1 Step Wonder Gel Polish in Crime Of Passion, £8.18, available at Amazon.

Day 1

"I had heard great things about this polish firsthand so I had been dying to try it for months. A few initial observations: The polish smells a lot stronger than most, so apply it outdoors or in a well-ventilated room.

"The formula is a bit thinner than most regular polishes, so go easy or you'll end up having drips onto your cuticles. It dries very quickly and the brush is wide and flat, so the actual manicure was a breeze. I prepped my nails with a bit of hand sanitiser on a tissue (I was at work) to clean up any residue or oil, and the polish went on beautifully along with the accompanying base and top coat.

"The colour is GORG and I could have stopped at one coat; it's very opaque and bright. The hue is a dead ringer for Deborah Lippmann's It's Raining Men, which is one of my favourite reds."

Day 3

"By day 3, the polish had not moved — score! The shine dulled a little, but no chips, yet."

Day 7

"By day six, I had a tiny chip or two. The polish had receded slightly from the tips — but it still looked darn good. By day seven, I had a few more chips at the fingertips, but nothing that would make me remove the polish. I kept wearing this polish for a few days after, so 10 days in total. And it was easy to remove. I would definitely use this polish again; I may even take it into a salon to see how long they can make it last. A+!"

The Polish: Sally Hansen Miracle Gel

The Claim: " Up to 14 days of colour and shine"

The Tester: Mi-Anne Chan, beauty writer

Sally Hansen Miracle Gel Polish in Red Eye, £9.99, available at Boots.

Day 1

"As soon as I opened Sally Hansen's Miracle Gel Polish, I had a hunch I'd love it. The brush is super-wide, meaning it can coat my entire nail in one or two strokes. The formula is opaque and never left streaks. After applying two coats of the polish, I followed up with the brand's top coat which made my manicure super shiny."

Day 3

"By day three I was surprised that the polish was still in perfect condition on my nails. I am very hard on my hands and this withstood a few hours of guitar playing (a hobby that usually wrecks any manicure)."

Day 7

"The polish continued to impress me for days after that and remained flawless for six days before I finally noticed a tiny chip on my index finger on day seven. At this point, I resolved to take off my polish (which was easy and swift) and start fresh, but I could have rocked it for another day or two if I wasn't picky.

"All in all, I was really impressed by the quality of this polish. Sure, it didn't last two full weeks, but it sure-as-hell put the rest of the long-wear polishes I've used to shame."

The Polish: OPI Infinite Shine

The Claims: " Gel shine without the light. Last up to 10 days."

The Tester: Jen Anderson, editorial assistant

OPI Infinite Shine Nail Polish in Big Apple Red, £9.95, available at Nail Polish Direct.

Day 1

"On first impression, the polish applied very easily, but the applicator isn’t my favourite. Personally, I’m a fan of larger brushes because I like being able to cover my entire nail in one swoop.

"That being said, I loved the formula, which wasn’t too goopy or thick. It was easy to spread out for an opaque, thin coat. I followed up with another layer of the colour and the top coat. I’m incredibly impressed with how quickly it dried. For clumsy people like me, this is incredibly helpful. I can’t count how many times I’ve painted my nails and then somehow managed to mess them up 10 minutes later."

Day 3

"The polish wore perfectly for three days. But on the third day, I noticed my first tiny chip. I have to be completely transparent: I’m really hard on my nails, and I have a feeling the combination of washing my hair and aggressively typing lead to the downfall of my manicure."

Day 6

"After 6 days, I had more chips on the sides and tips of my nails. From a distance it didn’t look too bad, but I personally couldn’t stand it so I removed the polish with regular remover.

"While I might not wear this on a 2-week vacation, this polish is great for a big event or night out when you need a quick-drying formula that will look flawless. And the shade range is killer."

The Polish: Essie Gel Couture

The Claims: "Gel-like perfection in an easy 2-step system [that] provides up to 14 days of colour."

The Tester: Michael Rollings, Associates Partnerships Manager

Essie Gel Couture Nail Polish in Rock The Runway, £9.99, available at Boots.

Day 1

"As a chronic nail biter, polishes tend to have a short lifespan on my fingers. So when I heard that Essie was releasing an at-home gel polish, meant to last longer on the nails without the hassle of hitting up a salon, I was intrigued.

"The polish itself was really easy to apply, and the colour was a stunning true red. Applying the gel top coat was really simple, too, and only took an extra minute or two. Once the polish had dried, I was really impressed with how shiny and 'well done' the mani looked, despite my novice skill level with painting my own nails."

Day 3

"Over the next few days, it totally stayed put on my nails, and didn't peel or chip off in chunks like polish usually does on me. The shiny top layer left by the gel top coat also stayed put, which made it look like I'd just had them done, even after it had been a few days."

Day 7

"At the one week mark, there was a tiny bit of wear and tear on the edges of my nails, but nowhere near what my nails usually look like after seven days. Overall, I was very impressed with the longevity of the mani, and it definitely helped me curtail my nail-biting tendencies, which is an added bonus!

"The polish came off easily — though I admittedly bit some of it off. (I know, I know...)"

The Polish: Revlon Colorstay Gel Envy

The Claims: "Salon-quality colour and diamond-like shine."

The Tester: Ally Hickson, Senior Social Media Editor

Revlon ColorStay Gel Envy Longwear Nail Enamel in All On Red, £5.99, available at Boots.

Day 1

"I typically alternate between getting gel manicures and painting my nails with regular polish at home (when I'm lacking in funds or time), so an at-home mani that has the lasting power of gel would be a godsend! I'd never used this polish before, but I have heard lots of rave reviews about the brand's Diamond top coat, so I was pretty excited to give it a whirl.

"I went for the shade All On Red, a vibrant crimson. I applied two coats straight to my clean, dry nails (no base coat needed) and found the polish really easy to apply. You don't need more than one dip in the bottle to do all five fingers — a little goes a long way! To finish, I topped with the brand's Diamond top coat."

Day 3

"After three days, my nails still looked great. Plus, I got a lot of compliments and there was zero chipping. They weren't quite as glossy as they were on day one, but they were holding up."

Day 7
" Days later, my nails still look great! If you get super close, you can see a few little cracks in the polish, but it's nothing too noticeable. At this point, they're starting to look dull compared to how glossy and vibrant they looked on day one, but they look perfect to most people — and isn't that what really counts? Verdict: Worth it."

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The New York Times Asked For Londoners' Petty Crime Stories & The Responses Were Wonderfully British

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The New York Times got more than it bargained for on Thursday morning when it posted a Twitter callout to Londoners.

"Have you experienced a petty crime in London?," the tweet read, with a link to a short accompanying article. “A surge in violent crime,” writes a London-based reporter for the newspaper, has left the capital's Metropolitan Police “severely stretched” and "unable to pursue most suspects involved in minor property crimes".

Journalist Ceylan Yeginsu appealed for readers to share their experiences of "petty crime", to help the newspaper understand how the London police are responding. The paper probably wasn't prepared for almost 2,500 – largely sarcastic – replies it got. But we're British, after all, and they really should've seen it coming. Celebrities, journalists and members of the public all pounced on the opportunity to share their tales.

Others, meanwhile, seized the chance to take aim at the criminally high cost of living in the capital.

While others took issue with the many uncouth social interactions they'd had around the capital.

Good humour aside, it's true there's a crime problem in London – the number of killings in 2018 is the highest it has been for a decade and, as the NYT itself reports, just 4% of domestic burglaries were solved between April 2017 and April 2018, while the number of suspects caught for all crimes has halved to 9% over five years.

But the broadsheet has become known for missing the mark with its coverage of London and the UK and sometimes attracts ridicule. The paper misread the national mood when it described the UK "reeling" from terror attacks in Manchester and London. And again when it offered a "Brexit means Brexit" guided tour of London, giving US tourists the chance to "examine the historic implications of a historic vote". And who could forget the time it introduced readers to a sweet “large fluffy pancake” that was quite clearly a Yorkshire pudding dusted with icing sugar?

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2 Women To Be Inducted Into The Rock & Roll Hall Of Fame

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Thursday morning, I woke up to a miracle: The Rock and Roll Hall of Fame, which has had an embarrassing dearth of female honourees in recent years, has managed to induct not one but two highly deserving women in its 2019 class. That’s right, y’all, Stevie Nicks and Janet Jackson are in.

This was Jackson’s third nomination (she became eligible in 2007), and the first nomination for Nicks as a solo artist (she became eligible in 2006). Jackson has faced an unfair uphill climb in music since her 2004 Super Bowl performance, for which she was reportedly penalised by the NFL, CBS, and MTV, as well as in chart and sales performance, for years while her co-performer Justin Timberlake faced little to no backlash.

Chaka Khan was the third woman nominated this year, with the group Rufus (they have been nominated three times together and Khan has been nominated twice as a solo artist, but can’t seem to get the votes to get inducted). It’s rare for the Rock Hall to induct two women in one year. It’s only happened a half dozen or so times.

Nicks joined another elite club as one of the rare musicians inducted with her band, Fleetwood Mac, and for her solo work. It’s an honour only bestowed on a few dozen other people, including each of the Beatles and Janet’s brother Michael. And, shockingly, she’s the first woman to earn the honour.

Jackson follows Madonna as one of the biggest female pop artists to be inducted and potentially opens the gates for other eligible women like the late Whitney Houston, Mariah Carey, and Mary J. Blige.

Nicks’s nomination could open the door for more double nominations for deserving women to be acknowledged for their solo careers, like Tina Turner (who is currently inducted with her abusive ex-husband, Ike Turner) and Carole King (who is in with her husband Gerry Goffin under a non-performer songwriting award). It also highlights how many women the Rock Hall have failed to acknowledge who meet their criteria; from the same era as Nicks solo career but not inducted are one of the most influential girl rock groups of all time, the Go-Go’s; one of the biggest pop singers of the ‘80s, Cyndi Lauper; and a group a lot of ‘90s women built their careers on a fandom of, The Bangles.

As the Rock Hall has turned its attention to inducting key ‘90 bands in the past few years, with Nirvana and Pearl Jam getting nods as Radiohead does this year, women of the ‘90s have failed to be recognised. Where are the nominations for Hole, Alanis Morrissette, or No Doubt?

And, lest we forget, legendary women in country music also continue to be snubbed by the Rock Hall, who have recognised Johnny Cash and Hank Williams but not Loretta Lynn or Dolly Parton.

These are two small steps forward for women, but for the next 10 years, the Rock Hall could nominate nothing but women and still not even out the number of inducted artists to be gender balanced. It would be nice if they did, however, because the names of the marquee, absolutely legendary women artists missing from the annals of the Rock Hall are glaring.

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The Women Who Don't Want To Know About Their Partner's Violent Past

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Since 2014, anyone who believes they may be at risk of domestic violence can request access to their partner's criminal history by visiting a police station. Clare's Law, or the Domestic Violence Disclosure Scheme (DVDS), was introduced in England and Wales after the death of 36-year-old Clare Wood, who was murdered in 2009 by a violent and obsessive ex-boyfriend with a history of violence against women. Wood's father said his daughter "didn't get the protection she needed" and that he would have stepped in if he'd known about her killer's past.

Despite this information being freely available to every adult in the UK, thousands of initial applications are never followed up. One reason for this, a former police officer told the BBC recently, is that women don't want to hear it.

Steve Wouldhave said many women think it's no one else's business and accuse police of interfering. He said it annoyed him when people assume the police don't take potential victims seriously. Others, reportedly, don't want to engage with police or already know about their partner's violent past "but think it will be different for them," the BBC reported.

How Clare's Law works

There are two ways in which the information can be passed on: via a "right to ask" (whereby a partner, friend or family member can request information), and a "right to know" (through which the police have the option to proactively share the information with people they believe to be at risk).

The most recent official figures, compiled from police forces, show that no information was disclosed in more than 56% of "right to ask" cases and 43% of "right to know" cases. Hertfordshire Police revealed that in 63 of the 64 cases where they attempted to share information with a woman, they failed because "[she] would not engage or make contact with police, or they were already aware of the subject's previous history".

Wouldhave's claim that women don't want to hear it – implying that many are actively choosing to remain ignorant of crucial information affecting their safety – angered some on Twitter, who accused him of victim blaming and placing the onus disproportionately on the victim's actions rather than the perpetrator.

It's not as simple as saying women are purposely refusing to take in information that could save their lives – there are many reasons why they may decide not to engage with police, according to the specialists we spoke to. And it often depends on whether the woman herself has asked for the details of her partner's past or whether an interested party, a family member or friend, has done so.

They are being 'lovebombed'

In the early phase of a dangerous or abusive relationship, there may be 'lovebombing'.
Professor Jane Callaghan, a psychologist and specialist in domestic violence from the University of Stirling, explains that lovebombing is "a form of grooming, creating dependency and building a sense of intense connection, that can later make it harder for the victim to leave the abusive relationship."

They're scared

Women may fear what would happen if their partner found out that they've been checking their history through the police. "Many women will be being closely monitored by their partners and some abusers even threaten to kill them if they speak to the police as part of a pattern of abuse," says Katie Ghose, chief executive of Women’s Aid.

"When you are being controlled, isolated and intimidated by your partner and are living in constant fear of what they will do next, it’s no wonder that some survivors do not want to risk attending a meeting with police officers to discuss their partner’s history of abuse," adds Ghose. They may be particularly scared of being found out if there's nowhere for them to seek refuge in their area, as many vital support services have been decimated by huge government cuts.

Along with a fear of being caught "snooping", many fear that "going to the police for information will trigger suspicion and may result in police investigations," Callaghan explains. "This might seem risky to the relationship, and women might also worry about an escalation of violence if the abusive partner knows she has seen the police."

Clare's Law is not without its flaws

Some believe Clare's Law is flawed and places too much culpability on women. "Relationships are complicated and the chances that one intervention will make major changes are debatable," says Professor Sandra Walklate from the University of Liverpool, who is an expert on domestic violence. "In my view, this law can potentially add to blaming the victim if they choose not to act on the information given, and as a consequence is hugely problematic."

The route to access the information is "certainly off-putting" for many women, Callaghan says. "Women often do not want to involve the police. Finding a way of making this data safely available without having to go through the police – for example, through a domestic abuse charity – would make it more likely that women would use the service."

Walklate also says she's not aware of any research into whether or not women wanted Clare's Law from the outset, or its effectiveness. "As far as I know no one asked women when this law was proposed if it was something that would work for them, and no one is currently asking those who get such information whether or not it is making any difference."

It's important that the mechanism remains in place, argues Callaghan. The ability to check if your partner has a history of abuse, "signals strongly that such records don’t disappear and that perpetrators can be traced."

Establishing a track record of abusive behaviour can also be useful in contact disputes involving children, or in managing other separation-related issues, she argues, so using Clare's Law "can lend credibility to women’s accounts – especially if they haven’t previously laid charges."

If you or someone you know is experiencing domestic violence, please call the National Domestic Violence Helpline on 0808 2000 247.

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The Black Girl's Guide To Microblading Your Eyebrows

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From nanoblading to microshading, I hear beauty editors raving about new brow treatments all the time, but the first thing I ask (not always out loud) is: Does it work on dark skin? While the answer is yes for many lasers and skincare products, having more melanin always means you have to proceed with caution when booking in — one wrong turn with a laser can lead to a dark spot that can take months or years to erase.

So when everyone in the beauty industry started microblading, which is semi-permanent tattooing to fill in brows, I was definitely interested. When I wear makeup, I spend 15 minutes just perfecting my arches. And while I don’t have the energy to do that routine every day, if I ever get caught in a photo without doing them, I just look so... naked.

But as a rule, I don’t sign up for anything unless I see visual proof that it works on brown skin. So I went to Instagram to hunt for brow tattoos on Black women and, let me tell you, the images were as sparse as my natural eyebrow hairs. But then I heard that Serena Williams and Jackie Aina get their brows microbladed by Piret Aava (a.k.a. The Eyebrow Doctor) in New York City. After scrolling through her feed, I noticed several women of colour — and in all the photos, their brows looked immaculate and natural. That’s when I decided to get my first tattoo — on my face.

While the numbing cream took effect, Aava answered a few of my burning questions about microblading on dark skin. She explained that the process is exactly the same as it is for any other skin tone, but there are certain things you need to know about picking pigments before that first stroke. And in case you're wondering, I love my brand-new brows. Ahead, I'm breaking down everything you need to know if you're considering the procedure yourself.

Before my microblading session with Aava. Photographed by Beth Sacca.
Four weeks after my first microblading session, just before my touch-up. Photographed by Kara Birnbaum.

Picking the right person is crucial.

Please don’t go to a tattoo artist to get your brows done. First of all, the tools and ink are completely different for microblading. The pigments are less concentrated than tattoo ink, and they come specially mixed to coordinate with brow colours. Using the wrong ink can make brows turn strange colours, like green. Beauty experts in the UK recommend Tracie Giles, Suman Jalaf and Laura Kay.

You also want to make sure the person you are going to has experience with darker skin (remember my Instagram research?). Make sure to ask your brow specialist for photos of their clients, especially photos taken after the brows have healed. “Look at before-and-after pictures and look at healed results because that is what you’re actually going to be walking around with,” says Aava. “They look nice and sharp and beautiful and full right away, but the stroke expands a little bit — especially if your skin is oily. If the strokes are too close together, you are going to have solid block eyebrow.”

Never, never get black ink.

It’s instinct to go for the darkest ink option when working on dark skin, but Aava says that’s a big mistake because black looks grey once it heals. Instead, Aava matches her pigments to the natural colour of her clients' brows, and her darkest shade option is ebony brown. If you want your brows to be lighter or darker than the hair you currently have, make sure to get your natural hairs bleached or dyed before your microblading appointment.

Undertones also come into play.

Another important part of picking the right pigment colour for brows is the undertones of the skin. “If you have yellow undertones, I use pigment with cooler tones. If you have a lot of blue in the skin, I use warmer tones,” says Aava. “Some people are right in the middle, so I can’t really tell, but I always tend to use cooler tones because no one wants an orange eyebrow.”

Ask for a touch-up session.

In about four to six weeks when your brows have healed, it’s good practice to get a touch-up. For me, my brows looked a bit ashy after the scabs fell away, and I had a few spots where the colour didn’t take at all, which left my brows looking a little splotchy. At my touch-up, Aava added a couple drops of warmth to counteract the cool tone and filled in the holes.

Aava says that different people metabolise pigment differently, which can lead to brows looking warmer or cooler once they heal. “It’s a foreign object in your skin and your body is trying to get rid of it,” says Aava. This means that your brows can look a little green or orange after they heal, and it also means that the pigment can disappear faster for some (in general, microblading lasts about 1-3 years).

Hyperpigmentation can happen — here’s how to prevent it.

Aava says that while hyperpigmentation can happen, it’s not something she worries about too much because it would occur underneath the brow hair. Dermatologist Mona Gohara, MD, says using sunscreen on your brows once they’ve healed can help with hyperpigmentation. “Any time you do anything on brown skin, there is potential for hyperpigmentation," she says. "So it’s important to do it in the right hands, and have really good sun protection afterwards."

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Emily Blunt Is Magnificent In The Average Mary Poppins Returns

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It’s hard to tear one’s eyes away from Emily Blunt in Mary Poppins Returns. From the second she descends from the sky, holding little Georgie Banks’ (Joel Dawson) kite, she owns every second of her screen time as the magical nanny. Her dazzling performance, which has earned her Golden Globe and SAG nominations, as well as Oscar buzz, is reason enough to check out the sequel to the 1964 Disney classic, even the rest of the film doesn’t quite match up.

Set in the midst of “The Great Slump” (which is British for The Great Depression), the film opens with lamplighter Jack (Lin-Manuel Miranda) singing about the “lovely London sky.” It’s one of the many callbacks to the original film, which began with Jack-of-all-trades Bert (Dick van Dyke, who also cameos in this film) giving the audience a tour of Cherry Tree Lane, where the Banks family lives.

The years have not been kind to the Banks. Michael Banks (Ben Whishaw) is all grown up and a failed artist working part time at Fidelity Fiduciary Bank (yup, same bank as last time), struggling to keep his family together after his wife Kate’s death. His three kids, Annabelle, John, and Georgie (Pixie Davies, Nathanael Saleh, and Dawson — all fantastic), have to pick up the slack where they can, which doesn’t leave them much time to be, you know, kids. Meanwhile, Jane Banks (Emily Mortimer) has somewhat followed in her early feminist mother’s footsteps by becoming a labor organiser, which in Disney speak makes her a spinster. Rounding out the Cherry Tree Lane household is dear old Ellen (Julie Walters), the family cook who spends more time breaking dishes than cleaning them.

To make matters worse, Michael took out a loan on the house that he can’t possibly pay back in full, which means that the family could soon be homeless. All in all, Mary Poppins’ sudden arrival, decades after she first came to look after the Banks children, is welcome.

Director Rob Marshall does his best to make his film feel consistent with the original, but the constant callbacks to the good old days of Disney have the downside of reminding us that this isn’t quite that. The old-school animation sequence, for example, in which Mary Poppins, Jack, and the children jump into the painted world of a ceramic bowl, is lovely, vibrant, and imaginative — a great example of what once made films like Mary Poppins magical. Now, it feels like a nostalgic relic designed to pull at our heart-strings without offering anything new to deserve it. And really, that’s the film’s greatest problem. It nails the retro vibe, both in the set design and costumes evoking 1930s London, and in the overall feeling of a 1950s musical, but without any real innovation to warrant its existence.

Still, if you don’t think too, too hard about all that, it’s a fun ride, one that kids who might otherwise never sit through the entirety of classic will likely love. (I never could make it through the whole thing. There is a whole sequence about banking!) Sandy Powell’s gorgeous — hand-painted! — costumes (she also designed for The Favourite) are just the right amount of sugar to make it all go down smoothly.

Blunt’s singing voice is lovely — particularly in one very catchy lullaby, courtesy of Marc Shaiman and Scott Whitman, who composed the film’s many, many songs. (Too many! I know that’s what musicals are all about, but still.) But it’s her curt, plummy delivery of words like “really,” elongated and exhaled into a mouthful of contempt (“Rhhheaally, Michael.”) that really seal the deal. Miranda, on the other hand, feels extra. His signature rap is a little cringey in this context, and he is more uncomfortable on a bicycle than someone who is required to ride one for nearly two hours should be. (Oh, and there’s a BMX stunt sequence. Be prepared.) Whishaw’s wistful renditions of songs are a quiet but delightful surprise, and he is well-cast as the dreamer-who-is-forced-into-capitalism Michael. There’s a cool dad buried in that slight frame, but he’s been crushed by The Man.

And speaking of The Man, he looks an awful lot like Colin Firth with a moustache. The villainous Mr. Wilkins, head of the bank that wants to call in Michael’s loan, is a hard sell, mainly because Firth feels like stunt casting here. You never really believe that he is actively trying to ruin this nice family’s life, so the stakes feel pretty low — especially since we all know it’ll all work out in the end.

The film does give us some terrific cameos, though — for the most part. How can you watch 92-year-old van Dyke tap dance on a desk and not smile? Or, for that matter, Angela Lansbury as a park balloon lady? That’s the kind of joy Mary Poppins should inspire. Not so Meryl Streep as Topsy, the nanny’s vaguely Eastern European cousin, who does so much in her brief appearance that she’s as dizzying as her upside-down apartment.

All in all, Mary Poppins Returns is fine — and sometimes more than that. But it’s also a good reminder that sometimes, good things are best left undisturbed.

Mary Poppins Returns is out in cinemas on December 21

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We Tried Zara's New Lipsticks – These Are Our Honest Reviews

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Clothes, bags, shoes – there's no denying Zara does fashion immensely well, but unlike other high street stores such as Topshop and H&M, it's been slow on the uptake when it comes to branching out into beauty. Until now that is.

Earlier this month, Zara lifted the lid on a 12-strong collection of matte lipsticks in all manner of wearable shades, from deep plum and pillar-box red to vibrant lilac and subtle taupe. Priced at an affordable £9.99, each one was received well by beauty editors and makeup obsessives alike, thanks to the sleek packaging and velvety finish.

But do they really live up to the hype? Will they gain cult status like Charlotte Tilbury's K.I.S.S.I.N.G collection or MAC's Viva Glam?

Ahead, seven R29 staffers put them to the test...

Jazmin Kopotsha, Entertainment Editor

Shade: Ultimatte UM04, £9.99, available at Zara.

Verdict: So, this doesn’t feel like the matte lipsticks I know. Though I’m not a fan of that crusty/dry finish that rubbish matte lippies typically leave you with, I was a bit disarmed by the slip and slide on my face. Will it dry? Doesn’t feel like it. Is it all over the mouth of my reusable water bottle half an hour after manic blotting? Yes, indeed it is. I’d advise all the primer and liner for this one. Props to the incredible shade though, I’ve spent a very long time looking for that perfect bricky, burnt red-meets-brown tone and it feels so good to finally have found the colour I’ve been dreaming about. The bad news is that I really didn’t get on with the smell. You know when something is so sweet that it smells artificial? It’s like a vanilla pod was bathed in vanilla essence and then deep fried in a vat of vanilla-scented sugar syrup.

Jacqueline Kilikita, Beauty Editor

Shade: Ultimatte UM15, £9.99, available at Zara.

Verdict: I’d heard such good things about Zara’s debut lipstick collection so decided to put this pillar-box red shade through its paces at our Christmas party. The packaging is chic for just under £10, the colour complemented my light olive skin beautifully, and it felt silky and hydrating on application – but that’s as good as it got. Five minutes in, it bled outside my lip line and at one point I found some on my cheek. I had to reapply twice before I left the office and annoyed everyone by asking whether my lipstick was still on mid-dance. If you’re looking for a lipstick that doesn't budge, I’d recommend Bourjois’ Rouge Velvet The Lipstick, £8.99. I’m sorry for cheating on you.

Annika Kanwal, Campaign Manager

Shade: Ultimatte UM07, £9.99, available at Zara.

Verdict: This raspberry pink is a great shade – vibrant enough to make a statement yet it didn’t clash with my skin tone. Although the colour is great, I did find I had to apply the lipstick quite a few times at first to get the full effect and as a result it took ages to dry – not something you’d expect from a matte lipstick. Once applied (and dried), to my surprise the lipstick stayed on all day and night! No smudges and no retouches (full disclosure: I did prime my lips with MAC Prep & Prime, but I do that for any lipstick I wear). I love the sleek packaging, exactly what you’d expect from Zara. Overall, I was pleasantly surprised.

Anna Jay, Art Director

Shade: Ultimatte UM17, £9.99, available at Zara.

Verdict: I really loved the orange-red shade of this lipstick and it went on really nicely, giving a sharp edge while feeling hydrating (I always use 3ina Primer first). But it didn't have the staying power I'd be looking for in a bright matte lip. I'll be sticking to Topshop's Ultra-Matte Lip Crayon in Louder, £10.

Kara Kia, Editorial Intern

Shade: Ultimatte UM03, £9.99, available at Zara.

Verdict: The packaging is nice and weighty with a magnetic cap, which means it won’t open while swimming around in my bag. It’s hard to find a pinky nude that suits my skin tone and I think this one is right on the money. It has a soft velvety texture. The staying power was okay. After one coffee I still had colour on the edges of my lips but after lunch it was all gone. The formula is a bit drying but that’s expected with a matte finish. All in all, I’ll be wearing this more often because the colour is everything!

Lydia Raghavan, Creative

Shade: Ultimatte UM12, £9.99, available at Zara.

Verdict: Let’s be real, in the time it took to take a decent selfie for this review (52 pics later) the colour was already wearing off in the middle of my lips. The bullet is a super dark, vampy plum shade, which I loved, but it was a real struggle to achieve an even colour without caking it on, and caking it on never bodes well in my experience. Sure enough, a couple of hours later it was crumbling off and I was scrambling for a mirror. Hate to burst the hype bubble on this one. The colour did make my teeth look whiter so I suppose it claws back a point there.

Rose Lander, International Co-Ordinator

Shade: Ultimatte UM09, £9.99, available at Zara.

Verdict: I am not usually a fan of a bright pink lip but I loved this shade. I wore it with a full face of makeup as I was going to a birthday party, and was pleasantly surprised. It didn’t wash me out or make me look like a drag queen. It was a bit cakey, but it also stayed put. Happy days! To be totally honest, once I got to the party I was having too much fun to reapply and most of the lipstick ended up on my napkin at dinner. But unlike most of my other lipsticks, it did not immediately all end up on my teeth, my glass or my clothes, so overall I would definitely recommend.

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Why, After 11 Years, I Still Don't Spend Christmas With My Boyfriend

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"What are you doing for Christmas?" It’s the question that, once a year, replaces "How was your weekend/what you up to this weekend?" in small talk. Come December and you can hear it in the office kitchen, on public transport and as friends depart each other at the pub. And while people don’t generally care what your answer is (no one is that interested, sorry – they’re just filling an awkward silence), I always get a few funny looks when I say that no, for the 11th year in a row, my S.O. and I will not be spending Christmas together.

Spending Christmas "together" is one of those relationship milestones that everyone seems desperately keen to conquer in their early 20s, along with things like going on holiday together and, eventually, moving in together. "Seb’s actually invited me to spend Christmas with his family this year," I remember friends saying coyly, as though they’d pulled off the coup of the century rather than an invitation to make awkward small talk with the members of Seb's extended family for three days. And so I'd nod and smile and think gratefully of my upcoming Christmas break where I would know exactly what was on the cards, where I wouldn't have to strategically plan my bathroom trips around Seb's nan and where I could stay in my pyjamas all day sans judgement.

Every family has its own Christmas traditions and people take them very seriously indeed. There’s a reason why brothers in their 30s complain about not having a stocking anymore, there’s an extra layer to the fight over how the sprouts are done (over-boiled or roasted?). And Grandad isn’t really livid about having to watch Frozen instead of the Queen's Speech. Anything that people consider a break in how Christmas is "done" in their eyes is perceived as a threat. People are fiercely protective of their annual traditions – no matter how small – and I think I know why.

It's because the older we get, the more out-of-control things feel. Reading the papers can feel like the opening pages of an apocalyptic novel; digital connectivity means your stressful job no longer ends at 5pm and instead seeps into your evening via emails and Slack messages. Think pieces on what you "should" have achieved by certain ages batter you from every side (buy a house before you’re 30? Lol). Everything – money, families, relationships, ageing – gets hard the more you grow up, and feeling in control of that stuff? Even harder. And so to have one, tradition-filled day as an annual constant is a welcome blessing for many.

And yeah, I’m not too proud to admit that I’m one of these people. Sure, I may be knocking on the door of 30 and sure, I may not have lived at my parents' house in 14 years but my god, come 21st December, I am getting on that train at Euston station and heading out of London in the direction of what I still want Christmas to be. My S.O, should he be remotely fazed by us not spending Christmas together (he’s not), will have to pry my Christmas traditions out of my cold dead hands.

On top of my wildly immature refusal to accept change, there’s also another reason my S.O. and I don’t spend Christmas together. My parents and his mum are far too nice to say anything if we did choose to spend Christmas with each other instead of with them. But I know that this would impact on their Christmas traditions and it would make this time of year – which they spent 18 years making so special for us – a little bit less special for them.

I realise I am beyond lucky to have parents who I want to go back and visit during the holidays. So many people have nowhere to call home at this family-obsessed time of the year and I'm lucky enough to have two: the one I built in London with my S.O, and one at my parents' house – it may not be my physical childhood home, but as is so often said, it's people that make the home.

I think things will have to change when we have kids. I'm sure my S.O's mum will be more than a little miffed if I try and smuggle her grandchildren off to play Cranium with just my family. But until the kids appear, I'm resolutely and stubbornly holding on to the one day of the year where nothing ever changes.

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